| Objectification of women in carnival Calabar: an emerging paradigm EM Yta International Journal of Humanities and Innovation (IJHI) 3 (2), 81-88, 2020 | 10 | 2020 |
| Humour, satire and the emergent stand-up comedy BE Orji The European Journal of Humour Research 6 (4), 24-38, 2018 | 8 | 2018 |
| Culture, Precepts, and Social Change in Southeastern Nigeria: Understanding the Igbo OV Uloma, CN Mbonu, AC Onuorah, GO Mbarah, EO Anyacho, MB Orji, ... Rowman & Littlefield, 2019 | 7 | 2019 |
| Dis laf fit kill person-An overview of Nigerian humour I Filani The European Journal of Humour Research 6 (4), 1-9, 2018 | 5 | 2018 |
| Designs in carnival calabar EM Yta, GM Umukoro _duñ_de: calabar journal of the humanities 413, 2017 | 5 | 2017 |
| Media Criticism and Agenda for Effective Leadership: An Appraisal of Nollywood Productions C Effiong, B Eze-Orji Nigerian Theatre Journal 28, 2017 | 5 | 2017 |
| Costuming for African values: a reassessment of un-African ideals in Calabar carnival RC Amaefula, B Eze-Orji Ogirisi: A New Journal of African Studies 12, 190-201, 2016 | 4 | 2016 |
| Aestheticism in visual symbols: catalysts for theatre patronage in contemporary play production BE Orji EJOTMAS: Ekpoma Journal of Theatre and Media Arts 7 (1-2), 403-421, 2019 | 3 | 2019 |
| " Amari-Akaghi"—The Knowledge of the Unknown: Women and Masquerade in Achebe's Things Fall Apart BE Orji Research in African Literatures 53 (2), 148-163, 2022 | 2 | 2022 |
| Carnivalization of Indigenous Performance Forms and the Demystification of Ritual Essence in Costume and Mask Designs of Masquerade Art BE Orji African Theatre 18 (1), 42-62, 2019 | 2 | 2019 |
| Dance hybridity and the challenges of indigenous dance forms: An appraisal of Calabar Carnival B Eze-Orji, C Nwosu Dance Journal of Nigeria 3 (2), 64-73, 2016 | 2 | 2016 |
| Theatre as Social Criticism: The Re-examination of Osofisan's No More the Wasted Breed BE Orji IJOTAMS: Calabar Journal of Theatre and Media Studies, 64-74, 0 | 2 | |
| African Theatre 18 C Okoye, A Bonsall, BE Orji, C Okoye, F Osofisan, S Dorgbadzi, ... Boydell and Brewer, 2019 | 1 | 2019 |
| THE MASQUERADE IN ABUJA AND CALABAR CARNIVALS BEZE ORJI | 1 | 2019 |
| Effects of female hair braiding on selected facial Anthropometrics Sunday Obaje, James Ihotu, Orji Bernard Proceedings of The Nigerian Academy of Science 16 (2), 47-62, 2024 | | 2024 |
| “Incarnations of the spirits:” carnivalesque elements of Igbo children’s ekpo masking performance O Nwosu, BE Orji, SE Oko Folk Life 61 (2), 174-193, 2023 | | 2023 |
| Carnival and Afikpo Njenje-Masquerade: examining an indigenous tradition in a postmodernist parade performance BE Orji South African Theatre Journal 36 (2), 173-189, 2023 | | 2023 |
| West African Masking Traditions and Diaspora Masquerade Carnivals: History, Memory, and Transnationalism: by Raphael Chijioke Njoku, Rochester NY, University of Rochester Press … BE Orji Canadian Journal of African Studies/Revue canadienne des études africaines …, 2022 | | 2022 |
| Masquerades as State Identity in Abuja National Carnival. BE Orji Nigeria Theatre Journal 20 (1), 108-128, 2020 | | 2020 |
| Interrogating the Indigenous and Contemporary Dance Interface in ‘Ekombi’ and ‘Passion 4’ Dances of Carnival Calabar, Cross River State BE Orji CAJOLIS: Calabar Journal of Liberal Studies 21 (1), 184-193, 2019 | | 2019 |
Charles Asuquo EffiongSenior Lecturer of Theatre, & Media Studies. University of Calabar. Cross River State, Nigeria.在 unical.edu.ng 的电子邮件经过验证
