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Nicholas Ward
Nicholas Ward
在 ul.ie 的电子邮件经过验证 - 首页
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引用次数
引用次数
年份
DAMPER: a platform for effortful interface development
P Bennett, N Ward, S O'Modhrain, P Rebelo
Proceedings of the 7th international conference on New interfaces for …, 2007
282007
Designing and measuring gesture using laban movement analysis and electromyogram
N Ward, M Ortiz, F Bernardo, A Tanaka
Proceedings of the 2016 ACM International Joint Conference on Pervasive and …, 2016
132016
Factors Influencing Listener Preference for Dynamic Range Compression
M Ronan, R Sazdov, N Ward
Audio Engineering Society Convention 137, 2014
122014
Loudness Normalisation: Paradigm Shift or Placebo for the Use of Hyper-Compression in Pop Music?
M Ronan, R Sazdov, N Ward
ICMC, 2014
92014
The Perception of Hyper-Compression by Untrained Listeners
M Ronan, N Ward, R Sazdov
Audio Engineering Society Conference: 60th International Conference: DREAMS …, 2016
82016
The use of physical theatre improvisation in game design
H O'Shaughnessy, N Ward
Proceedings of the 8th Nordic Conference on Human-Computer Interaction: Fun …, 2014
82014
A study of two thereminists: Towards movement informed instrument design
N Ward, K Penfield, S OʼModhrain, RB Knapp
8 th International Conference on New Interfaces for Musical Expression …, 2008
82008
Identifying and Validating Program Material: A Hyper-Compression Perspective
M Ronan, N Ward, R Sazdov
Audio Engineering Society Convention 139, 2015
72015
Constraining Movement as a Basis for DMI Design and Performance
N Ward, G Torre
The International Conference on New Interfaces for Musical Expression, 2014
72014
Distributed Agency in Performance
P Stapleton, S Waters, N Ward, O Green
Proc. of International Conference on Live Interfaces, 2016
62016
Effortful interaction: a new paradigm for the design of digital musical instruments
N Ward
Queen's University Belfast, 2013
62013
The Perception of Hyper-Compression by Mastering Engineers
M Ronan, N Ward, R Sazdov, H Lee
Journal of the Audio Engineering Society 65 (7/8), 613-621, 2017
52017
Investigating the Sound Quality Lexicon of Analogue Compression Using Category Analysis
M Ronan, N Ward, R Sazdov
Audio Engineering Society Convention 138, 2015
52015
Exploring the sound quality dimensions of hyper-compression
M Ronan, N Ward, R Sazdov
Innovation in Music II, 36-51, 2017
42017
Considerations When Calibrating Program Material Stimuli Using LUFS
M Ronan, N Ward, R Sazdov
Audio Engineering Society Convention 140, 2016
42016
An investigation into the sound quality lexicon of analogue compressors using category analysis
M Ronan, N Ward, R Sazdov
AES 138 Convention, 2015
42015
Learning from the crackle exhibition
K Andersen, N Ward
Proceedings of the Eleventh International Conference on Tangible, Embedded …, 2017
32017
Gestroviser: Toward Collaborative Agency in Digital Musical Instruments.
W Marley, N Ward
Proceedings of the International Conference on New Interfaces for Musical …, 2015
32015
Tightly Coupled Agents in Live Performance Metacreations
W Marley, N Ward
Proceedings of the 2015 ACM SIGCHI Conference on Creativity and Cognition …, 2015
22015
Ordnance Survey: Exploring Activity through Large Scale Topologies and Auditory Mappings
T Davis, N Ward
Parsons Journal for Information Mapping 2 (1), 2010
2010
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