| Guest editorial for themed section Black Panther and Afrofuturism: theoretical discourse and review B Karam, M Kirby-Hirst Image & Text, 1-15, 2019 | 19 | 2019 |
| Feminist media theory L Parry, B Karam Media studies: Institutions, theories and, 2001 | 16 | 2001 |
| Gender and the Media B Karam 2008). Media Studies. Policy, Management and Media Representation. Cape Town …, 2008 | 15 | 2008 |
| Key developments in political communication in Africa B Mutsvairo, B Karam Perspectives on political communication in Africa, 3-26, 2018 | 14 | 2018 |
| Theorising political communication in Africa B Karam Perspectives on political communication in Africa, 27-44, 2018 | 13 | 2018 |
| Perspectives on political communication in Africa T Bosch, T Chari, G Daniels, AL Diedong, M Ette, PP Frassinelli, ... Palgrave Macmillan, 2018 | 12 | 2018 |
| Decolonising political communication in Africa: Reframing ontologies B Karam, B Mutsvairo Taylor & Francis, 2021 | 11 | 2021 |
| Representation: Race, gender and sexual orientation PJ Fourie, B Karam 2001a, 469-508, 2001 | 10 | 2001 |
| ‘An-Other’-Centred Film Curricula: Decolonising Film Studies in Africa B Karam The Palgrave Handbook of Media and Communication Research in Africa, 111-127, 2018 | 9 | 2018 |
| Landscapes of the unconscious mind: A dialectic of self and memory on a post-colonial, South African landscape in the hand-animated, charcoal-medium films of William Kentridge BS Karam | 9 | 2013 |
| Decolonising Political Communication in Africa: Reframing Ontologies (p. 254) B Karam, B Mutsvairo Taylor & Francis, 2022 | 8 | 2022 |
| Reframing African ontologies in the era of decolonisation B Karam, B Mutsvairo Decolonising Political Communication in Africa, 1-8, 2021 | 7 | 2021 |
| The Representation of Perpetrator Trauma in Forgiveness B Karam Communicatio 45 (1), 71-86, 2019 | 7 | 2019 |
| Inxeba (The Wound): Sexual, Gender, Cultural and Religious Traumata on the African Screen M Kirby-Hirst, B Karam Communicatio 44 (4), 88-107, 2018 | 3 | 2018 |
| Postfeminism and the South African context through the prism of a bloodsoaked imagination B Karam Communicatio 44 (3), 41-55, 2018 | 3 | 2018 |
| William Kentridge's Monument (1990) as counter-monument and the embodiment of negative aesthetics B Karam Image & Text: a Journal for Design 27 (1), 75-101, 2016 | 3 | 2016 |
| Afterland: by Lauren Beukes, Penguin Random House South Africa. 2020. pp. 411. ISBN: 9781415210598 B Karam Scrutiny2 25 (2), 150-151, 2020 | 2 | 2020 |
| 8. The Digital Divide and Film B Karam Mapping digital divide in Africa: a mediated analysis. Amsterdam University …, 2019 | 2 | 2019 |
| William Kentridge's animated Drawings for Projection as a postmemorial aesthetic B Karam de arte 49 (90), 4-23, 2014 | 2 | 2014 |
| Subverting the gaze : the voyeuristic, fetishised spectacle of Karl Lagerfeld's Pirelli Calendar (2011) B Karam Image & Text: a Journal for Design 21 (1), 30-53, 2013 | 2 | 2013 |
