| How to train your algorithm: the struggle for public control over private audience commodities on Tiktok C Jones Media, Culture & Society 45 (6), 1192-1209, 2023 | 11 | 2023 |
| Online Advocacy Work: “Palatable” Platforms and Privilege in GUI features on Twitter and Instagram LC Jones Proceedings of the 39th ACM International Conference on Design of …, 2021 | 5 | 2021 |
| Listening to lies and legitimacy online: A proposal for digital rhetorical listening LC Jones First Monday, 2019 | 4 | 2019 |
| Circulatory interfaces: Perpetuating power through practices, content, and positionality C Jones Computers and Composition 62, 102670, 2021 | 3 | 2021 |
| Failure to Launch: An Augmented Thick Description of #womenswave C Jones Computers and Composition Online, 2020 | 2 | 2020 |
| Search engine discourse analysis: how ‘shadowban’affects policy C Jones Information, Communication & Society 27 (5), 1025-1042, 2023 | 1 | 2023 |
| The “Unsing Heroes” of the “Infocalypse”: Company Representations of Commercial Content Moderators C Jones Television & New Media, 15274764241266253, 2024 | | 2024 |
| Heuristic Questions for Instagram Live C Jones Comunicazioni Sociali: Journal of Media, Performing Arts and Cultural …, 2023 | | 2023 |
| Representations and Privacy: Methodological Questions for Social Media Data C Jones Proceedings of the 41st ACM International Conference on Design of …, 2023 | | 2023 |
| The view from somewhere: Critically reflexive recruitment heuristics for big data C Jones First Monday, 2022 | | 2022 |
| Memory and Publicity in Ephemeral Social Media: A Case study of# NotAgainSU LC Jones | | 2022 |
| #NotAgainSU: A Case Study of the Counterpublic, Public, and Reactionary Circulation of a Racial Justice Hashtag in the Public Sphere C Jones University of Central Florida, 2021 | | 2021 |
| Diluting the Dominance of SAE: A Multiliteracies Profile Sequence and Assignment C Jones Journal of Interactive Technology and Pedagogy, 2020 | | 2020 |
| From Hate Hoaxes to Circulatory Terrorism: The Case of #NotAgainSU C Jones, M Stanfill Flow: A Critical Forum on Media and Culture, 2020 | | 2020 |
