Overview of the KTH rule system for musical performance A Friberg, R Bresin, J Sundberg Advances in Cognitive Psychology 2 (2-3), 145-161, 2006 | 367 | 2006 |
A dimensional approach to vocal expression of emotion P Laukka, P Juslin, R Bresin Cognition & Emotion 19 (5), 633-653, 2005 | 360 | 2005 |
Sounding objects D Rocchesso, R Bresin, M Fernstrom IEEE MultiMedia 10 (2), 42-52, 2003 | 328 | 2003 |
A Systematic Review of Mapping Strategies for the Sonification of Physical Quantities (vol 8, e82491, 2013) G Dubus, R Bresin PLOS ONE 9 (4), 2013 | 312* | 2013 |
“Expressivity comes from within your soul”: A questionnaire study of music students' perspectives on expressivity E Lindström, PN Juslin, R Bresin, A Williamon Research Studies in Music Education 20 (1), 23-47, 2003 | 274 | 2003 |
Emotional coloring of computer-controlled music performances R Bresin, A Friberg Computer Music Journal 24 (4), 44-63, 2000 | 269 | 2000 |
Toward a computational model of expression in music performance: The GERM model PN Juslin, A Friberg, R Bresin Musicae scientiae 5 (1_suppl), 63-122, 2001 | 210 | 2001 |
Emotional expression in music: contribution, linearity, and additivity of primary musical cues T Eerola, A Friberg, R Bresin Frontiers in psychology 4, 487, 2013 | 176 | 2013 |
Emotion rendering in music: range and characteristic values of seven musical variables R Bresin, A Friberg cortex 47 (9), 1068-1081, 2011 | 153 | 2011 |
Gestures in performance S Dahl, F Bevilacqua, R Bresin, M Clayton, L Leante, I Poggi, ... Musical gestures: Sound, movement, and meaning, 36-68, 2009 | 139 | 2009 |
Articulation Strategies in Expressive Piano Performance Analysis of Legato, Staccato, and Repeated Notes in Performances of the Andante Movement of Mozart’s Sonata in G Major … R Bresin, GU Battel Journal of New Music Research 29 (3), 211-224, 2000 | 127 | 2000 |
Is the player more influenced by the auditory than the tactile feedback from the instrument S Dahl, R Bresin Proc. of the COST-G6 Workshop on Digital Audio Effects (DAFx-01), Limerick …, 2001 | 121* | 2001 |
Affective diary: designing for bodily expressiveness and self-reflection M Lindström, A Ståhl, K Höök, P Sundström, J Laaksolathi, M Combetto, ... CHI'06 extended abstracts on Human factors in computing systems, 1037-1042, 2006 | 118 | 2006 |
Artificial neural networks based models for automatic performance of musical scores R Bresin Journal of New Music Research 27 (3), 239-270, 1998 | 114 | 1998 |
Sound design and perception in walking interactions Y Visell, F Fontana, BL Giordano, R Nordahl, S Serafin, R Bresin International Journal of Human-Computer Studies 67 (11), 947-959, 2009 | 104 | 2009 |
What is the color of that music performance? R Bresin ICMC, 2005 | 96 | 2005 |
Articulation Rules For Automatic Music Performance. R Bresin ICMC, 2001 | 88 | 2001 |
Sonic interaction design: sound, information and experience D Rocchesso, S Serafin, F Behrendt, N Bernardini, R Bresin, G Eckel, ... CHI'08 Extended Abstracts on Human Factors in Computing Systems, 3969-3972, 2008 | 87 | 2008 |
Musical punctuation on the microlevel: Automatic identification and performance of small melodic units A Friberg, R Bresin, L Frydén, J Sundberg Journal of New Music Research 27 (3), 271-292, 1998 | 85 | 1998 |
‘Sense’in Expressive Music Performance: Data Acquisition, Computational Studies, and Models W Goebl, S Dixon, G De Poli, A Friberg, R Bresin, G Widmer Cirotteau, Damien (Ed.): Sound to Sense, Sense to Sound: A State-of-the-Art …, 2008 | 83 | 2008 |