| Popular music reaction videos: Reactivity, creator labor, and the performance of listening online B McDaniel New Media & Society 23 (6), 1624-1641, 2021 | 27 | 2021 |
| All Songs Considered: The Persuasive Listening of Music Podcasts B McDaniel Twentieth-Century Music 19 (3), 411-426, 2022 | 10 | 2022 |
| Out of Thin Air: Configurability, Choreography, and the Air Guitar World Championships B McDaniel Ethnomusicology 61 (3), 419-445, 2017 | 8 | 2017 |
| " This is Not Normal": Ability, Gender, and Age in the Resistance to Trumpism B McDaniel, PM Renfro Disability Studies Quarterly 39 (2), 2019 | 3 | 2019 |
| Air Apparent: Amplifying the History of Air Guitar, Air Bands, and Air Playing in the Twentieth Century B McDaniel American Quarterly 70 (4), 807-829, 2018 | 2 | 2018 |
| Crooning, Country, and the Blues: Redefining Masculinity in Popular Music in the 1930s and 1940s B McDaniel NeoAmericanist 6 (1), 1-14, 2012 | 2 | 2012 |
| Singing into a Smartphone: The Persuasive Affordances of Collaboration on Karaoke and Lip-Syncing Apps B McDaniel | 1 | 2024 |
| Singing into a Smartphone LS Apps The Oxford Handbook of Community Singing, 50, 2024 | | 2024 |
| Spectacular Listening: Music and Disability in the Digital Age B McDaniel Oxford University Press, 2024 | | 2024 |
| Syncing Out Loud: Listening Norms in the Twenty-First Century B McDaniel Brown University, 2019 | | 2019 |
| An Aesthetic of Objectification Kehinde Wiley's Princess Victoire of Saxe-Coburg-Gotha. B McDaniel Pennsylvania Literary Journal (2151-3066) 5 (2), 2013 | | 2013 |
| Shoes as a Symbol of Romantic Mobility in Zora Neale Hurston's JONAH’S GOURD VINE B McDaniel The Explicator 71 (2), 103-106, 2013 | | 2013 |
| a style applied to things B McDaniel eager to highlight the transnational contexts and, often, contents, of …, 0 | | |
