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Frederic Bevilacqua
Frederic Bevilacqua
IRCAM Paris
在 ircam.fr 的电子邮件经过验证 - 首页
标题
引用次数
年份
Co-Designing Sensory Feedback for Wearables to Support Physical Activity through Body Sensations
J Ley-Flores, LT Vidal, EM Segura, A Singh, F Bevilacqua, F Cuadrado, ...
Proceedings of the ACM on Interactive, Mobile, Wearable and Ubiquitous …, 2024
2024
Composed epistemologies-A case from computer music research
B Matuszewski, F Bevilacqua
Undone Computer Science, 2024
2024
Pushed by Sound: Effects of Sound and Movement Direction on Body Perception, Experience Quality, and Exercise Support
A Singh, M Hrobat, S Gui, N Bianchi-Berthouze, J Ley-Flores, ...
ACM Transactions on Computer-Human Interaction, 2024
2024
La sonification du mouvement pour la rééducation post lésion cérébrale acquise: une expérience perceptive atypique?
I Peyre, P Pradat-Diehl, V Marchand-Pauvert, A Roby-Brami, C Vincent, ...
4es Journées Perception Sonore (JPS2023), 2023
2023
L’axe Son/Musique & Santé à l’Ircam
C Vincent, I Viaud-Delmon, O Warusfel, I Peyre, F Bevilacqua, O Houix, ...
4es Journées Perception Sonore (JPS2023), 2023
2023
Effect of sonification types in upper-limb movement: a quantitative and qualitative study in hemiparetic and healthy participants
I Peyre, A Roby-Brami, M Segalen, A Giron, B Caramiaux, ...
Journal of NeuroEngineering and Rehabilitation 20 (1), 136, 2023
12023
Polyspring: A python toolbox to manipulate 2-d sound database representations
V Paredes, J Françoise, F Bevilacqua
Sound Music Computing, 2023
12023
Simone: un instrument distribué pour l'étude des interactions improvisées collectives
A Golvet, B Matuszewski, F Bevilacqua
Journées d'Informatique Musicale (JIM 2023), 2023
12023
Describing movement learning using metric learning
A Loriette, W Liu, F Bevilacqua, B Caramiaux
Plos one 18 (2), e0272509, 2023
12023
Gestural sound toolkit: Reflections on an interactive design project
B Caramiaux, A Altavilla, J Françoise, F Bevilacqua
International Conference on New Interfaces for Musical Expression, 2022
42022
Movement analysis and decomposition with the continuous wavelet transform
J Françoise, G Meseguer-Brocal, F Bevilacqua
Proceedings of the 8th International Conference on Movement and Computing, 1-13, 2022
32022
Entangling Practice with Artistic and Educational Aims: Interviews on Technology-based Movement-Sound Interactions
V Paredes, J Françoise, F Bevilacqua
NIME 2022, 2022
2022
Merging symbolic, physical and virtual spaces: Augmented reality for Iannis Xenakis’ Evryali for piano solo
P Antoniadis, A Duval, JF Jego, M Solomos, F Bevilacqua
DCAC, 3rd International Conference on Digital Culture & AudioVisual Challenges, 2022
2022
Rendering embodied experience into multimodal data: concepts, tools and applications for Xenakis' piano performance
P Antoniadis, S Paschalidou, A Duval, JF Jégo, F Bevilacqua
Xenakis 22: Centenary International Symposium, 2022
22022
Effects of pitch and musical sounds on body-representations when moving with sound
J Ley-Flores, E Alshami, A Singh, F Bevilacqua, N Bianchi-Berthouze, ...
Scientific reports 12 (1), 2676, 2022
232022
Motor variability in complex gesture learning: effects of movement sonification and musical background
W Liu, MA Magalhaes, WE Mackay, M Beaudouin-Lafon, F Bevilacqua
ACM Transactions on Applied Perception (TAP) 19 (1), 1-21, 2022
112022
On designing, composing and performing networked collective interactions
F Bevilacqua, B Matuszewski, G Paine, N Schnell
Organised Sound 26 (3), 333-339, 2021
62021
Collective and networked sound practices
G Paine, F Bevilacqua, B Matuszewski
Organised Sound 26 (3), 303-304, 2021
12021
Emotional, cognitive, and motor development in youth orchestras
D Glowinski, C Levacher, F Buchheit, C Malagoli, B Matuszewski, ...
Together in Music, 250-254, 2021
2021
Bodies moving with sound: Effects of pitch and musical sounds on body-representations
J Ley-Flores, E Alshami, A Singh, F Bevilacqua, N Bianchi-Berthouze, ...
2021
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