Sound-Based Interaction R Yanaky, PJC Reimer, V Fraisse, MM Wanderley, C Guastavino Interaction Techniques and Technologies in Human-Computer Interaction, 218-239, 2024 | | 2024 |
Notating and analysing the context, sounds, and images of an improvised DMI (digital musical instrument) performance:“Everyone to the Power of One” for T-Stick, by D. Andrew … F Borém, MM Wanderley V Congresso da Associação de Teoria e Análise Musical (TeMA), 2024 | | 2024 |
Using soundscape simulation to evaluate compositions for a public space sound installation V Fraisse, N Schütz, MM Wanderley, C Guastavino, N Misdariis The Journal of the Acoustical Society of America 156 (2), 1183-1201, 2024 | 1 | 2024 |
Enhancing DMI Interactions by Integrating Haptic Feedback for Intricate Vibrato Technique Z Piao, C Frisson, B Van Kerrebroeck, MM Wanderley arXiv preprint arXiv:2405.10502, 2024 | | 2024 |
Human-machine trios show different tempo changes in musical tasks B Van Kerrebroeck, M Wanderley, AP Demos, C Palmer Proceedings of the Annual Meeting of the Cognitive Science Society 46, 2024 | | 2024 |
MappEMG: Enhancing Music Pedagogy by Mapping Electromyography to Multimodal Feedback Z Piao, MM Wanderley, F Verdugo International Conference on ArtsIT, Interactivity and Game Creation, 325-341, 2023 | | 2023 |
Analysis of Accessible Digital Musical Instruments through the lens of disability models: a case study with instruments targeting d/Deaf people EG Duarte, I Cossette, MM Wanderley Frontiers in Computer Science 5, 1158476, 2023 | 3 | 2023 |
Sticking choices in timpani sight-reading performance B Bacon, S Jackson, I Marci, F Marandola, MM Wanderley Frontiers in Psychology 14, 1188773, 2023 | | 2023 |
Force-Feedback and Music: Five Decades of Research and Development at ACROE: An Interview with Claude Cadoz (ACROE, Grenoble, France) MM Wanderley, C Frisson Arts 12 (4), 159, 2023 | | 2023 |
Challenges and Opportunities of Force Feedback in Music C Frisson, MM Wanderley Arts 12 (4), 147, 2023 | 3 | 2023 |
Feeling the future—haptic audio J Paterson, MM Wanderley Arts 12 (4), 141, 2023 | 1 | 2023 |
Addressing Barriers for Entry and Operation of a Distributed Signal Mapping Framework B Boettcher, E Meneses, C Frisson, MM Wanderley, J Malloch New Interfaces for Musical Expression (NIME’23), 2023 | 3 | 2023 |
Informing sound art design in public space through soundscape simulation V Fraisse, N Schütz, C Guastavino, M Wanderley, N Misdariis INTER-NOISE and NOISE-CON Congress and Conference Proceedings 265 (4), 3015-3024, 2023 | 5 | 2023 |
eTu {d, b} e: Case studies in playing with musical agents T Davis, K Pocius, V Cusson, P Pasquier, MM Wanderley Proceedings of the International Conference on New Interfaces for Musical …, 2023 | 2 | 2023 |
Towards the T-Tree 2.0: Lessons Learned From Performance With a Novel DMI and Instrument Hub P Buser, K Pocius, L Kirby, MM Wanderley Proceedings of the International Conference on New Interfaces for Musical …, 2023 | 1 | 2023 |
T-Patch: a software application for T-Stick Digital Musical Instruments T Fukuda, MM Wanderley Proceedings of the International Conference on New Interfaces for Musical …, 2023 | 1 | 2023 |
The Puara Framework: Hiding complexity and modularity for reproducibility and usability in NIMEs EAL Meneses, T Piquet, J Noble, MM Wanderley Proceedings of the International Conference on New Interfaces for Musical …, 2023 | 1 | 2023 |
Prehistoric NIME: Revisiting Research on New Musical Interfaces in the Computer Music Community before NIME MM Wanderley Proceedings of the International Conference on New Interfaces for Musical …, 2023 | 4 | 2023 |
Tools and Techniques for the Maintenance and Support of Digital Musical Instruments AN Niyonsenga, M Wanderley Proceedings of the International Conference on New Interfaces for Musical …, 2023 | 1 | 2023 |
From fiction to function: Imagining new instruments through design workshops J Sullivan, MM Wanderley, C Guastavino Computer Music Journal 46 (3), 26-47, 2022 | 1 | 2022 |