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Marcelo M. Wanderley
Marcelo M. Wanderley
Professor, Music Technology - McGill University
在 mcgill.ca 的电子邮件经过验证 - 首页
标题
引用次数
年份
Sound-Based Interaction
R Yanaky, PJC Reimer, V Fraisse, MM Wanderley, C Guastavino
Interaction Techniques and Technologies in Human-Computer Interaction, 218-239, 2024
2024
Notating and analysing the context, sounds, and images of an improvised DMI (digital musical instrument) performance:“Everyone to the Power of One” for T-Stick, by D. Andrew …
F Borém, MM Wanderley
V Congresso da Associação de Teoria e Análise Musical (TeMA), 2024
2024
Using soundscape simulation to evaluate compositions for a public space sound installation
V Fraisse, N Schütz, MM Wanderley, C Guastavino, N Misdariis
The Journal of the Acoustical Society of America 156 (2), 1183-1201, 2024
12024
Enhancing DMI Interactions by Integrating Haptic Feedback for Intricate Vibrato Technique
Z Piao, C Frisson, B Van Kerrebroeck, MM Wanderley
arXiv preprint arXiv:2405.10502, 2024
2024
Human-machine trios show different tempo changes in musical tasks
B Van Kerrebroeck, M Wanderley, AP Demos, C Palmer
Proceedings of the Annual Meeting of the Cognitive Science Society 46, 2024
2024
MappEMG: Enhancing Music Pedagogy by Mapping Electromyography to Multimodal Feedback
Z Piao, MM Wanderley, F Verdugo
International Conference on ArtsIT, Interactivity and Game Creation, 325-341, 2023
2023
Analysis of Accessible Digital Musical Instruments through the lens of disability models: a case study with instruments targeting d/Deaf people
EG Duarte, I Cossette, MM Wanderley
Frontiers in Computer Science 5, 1158476, 2023
32023
Sticking choices in timpani sight-reading performance
B Bacon, S Jackson, I Marci, F Marandola, MM Wanderley
Frontiers in Psychology 14, 1188773, 2023
2023
Force-Feedback and Music: Five Decades of Research and Development at ACROE: An Interview with Claude Cadoz (ACROE, Grenoble, France)
MM Wanderley, C Frisson
Arts 12 (4), 159, 2023
2023
Challenges and Opportunities of Force Feedback in Music
C Frisson, MM Wanderley
Arts 12 (4), 147, 2023
32023
Feeling the future—haptic audio
J Paterson, MM Wanderley
Arts 12 (4), 141, 2023
12023
Addressing Barriers for Entry and Operation of a Distributed Signal Mapping Framework
B Boettcher, E Meneses, C Frisson, MM Wanderley, J Malloch
New Interfaces for Musical Expression (NIME’23), 2023
32023
Informing sound art design in public space through soundscape simulation
V Fraisse, N Schütz, C Guastavino, M Wanderley, N Misdariis
INTER-NOISE and NOISE-CON Congress and Conference Proceedings 265 (4), 3015-3024, 2023
52023
eTu {d, b} e: Case studies in playing with musical agents
T Davis, K Pocius, V Cusson, P Pasquier, MM Wanderley
Proceedings of the International Conference on New Interfaces for Musical …, 2023
22023
Towards the T-Tree 2.0: Lessons Learned From Performance With a Novel DMI and Instrument Hub
P Buser, K Pocius, L Kirby, MM Wanderley
Proceedings of the International Conference on New Interfaces for Musical …, 2023
12023
T-Patch: a software application for T-Stick Digital Musical Instruments
T Fukuda, MM Wanderley
Proceedings of the International Conference on New Interfaces for Musical …, 2023
12023
The Puara Framework: Hiding complexity and modularity for reproducibility and usability in NIMEs
EAL Meneses, T Piquet, J Noble, MM Wanderley
Proceedings of the International Conference on New Interfaces for Musical …, 2023
12023
Prehistoric NIME: Revisiting Research on New Musical Interfaces in the Computer Music Community before NIME
MM Wanderley
Proceedings of the International Conference on New Interfaces for Musical …, 2023
42023
Tools and Techniques for the Maintenance and Support of Digital Musical Instruments
AN Niyonsenga, M Wanderley
Proceedings of the International Conference on New Interfaces for Musical …, 2023
12023
From fiction to function: Imagining new instruments through design workshops
J Sullivan, MM Wanderley, C Guastavino
Computer Music Journal 46 (3), 26-47, 2022
12022
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