| Border exchanges: the role of the European film festival O Evans Journal of Contemporary European Studies 15 (1), 23-33, 2007 | 78 | 2007 |
| Finding common ground: The conception of community arts festivals as spaces for placemaking T Brownett, O Evans Health & place 61, 102254, 2020 | 46 | 2020 |
| Redeeming the demon? The legacy of the Stasi in Das Leben der Anderen O Evans Memory Studies 3 (2), 164-177, 2010 | 29 | 2010 |
| Tom Tykwer's Run Lola Run Postmodern, posthuman or ‘post-theory’? O Evans Studies in European Cinema 1 (2), 105-115, 2004 | 21 | 2004 |
| Mapping the Contours of Oppression: Subjectivity, Truth and Fiction in Recent German Autobiographical Treatments of Totalitarianism O Evans Rodopi, 2006 | 18 | 2006 |
| Soviet ghosts: the Soviet Union abandoned: a communist empire in decay R Litchfield, T Brownett, N Cockwill, O Evans (No Title), 2014 | 16 | 2014 |
| ‘“Denn wir sind anders”: Zonenkinder in the Federal Republic O Evans German as a Foreign Language, 20-33, 2005 | 6 | 2005 |
| Building Bridges: Fatih Akin and the Cinema of Intercultural Dialogue O Evans Nationalism in Contemporary Western European Cinema, 145-167, 2018 | 4 | 2018 |
| Memory, melodrama and history: The return of the past in contemporary popular film in Germany O Evans European Cultural Memory Post-89, 241-269, 2013 | 4 | 2013 |
| Taking Stock of the Wende on Screen: Michael Klier’s Ostkreuz (1991) and Hannes Stöhr’s Berlin is in Germany (2001) O Evans German as a Foreign Language, 60-75, 2006 | 4 | 2006 |
| 'Schlimmeres als geschah, hätte immer geschehen können': Günter de Bruyn and the GDR in Vierzig Jahre O Evans Günter de Bruyn in Perspective, 171-188, 1999 | 4 | 1999 |
| So, it has finally happened… O Evans, G Harper Studies in European Cinema 17 (1), 1-3, 2020 | 3 | 2020 |
| Going underground: Margins, dreams and dark spaces in Nimród Antal's Kontroll (2003) O Evans The Urban Uncanny, 18-33, 2016 | 3 | 2016 |
| Soviet Ghosts: The Soviet Union Abandoned: A Communist Empire in Decay O Evans, N Cockwill, T Brownett Carpet Bombing Culture, 2014 | 2 | 2014 |
| Memories, Secrets and Lies: The Emotional Legacy of the GDR in Christian Schwochow’s Novemberkind (2008) O Evans Remembering and Rethinking the GDR: Multiple Perspectives and Plural …, 2013 | 2 | 2013 |
| ‘Wonderfully courageous’? The human face of a legend in Sophie Scholl: The Final Days (2005) O Evans New Directions in German Cinema, 57, 2011 | 2 | 2011 |
| Introduction:‘Films without Frontiers’ O Evans, E Canning Studies in European Cinema 4 (3), 163-165, 2007 | 2 | 2007 |
| Living in the Past? Günter de Bruyn, Prussia and the Mark Brandenburg O Evans Townscapes and Countryside in Contemporary German Writing, 225-241, 2004 | 2 | 2004 |
| Hope for the Future?: Günter de Bruyn’s Neue Herrlichkeit and Christoph Hein’s Der Tangospieler O Evans Christoph Hein in Perspective, 77-94, 2000 | 2 | 2000 |
| ‘Ein Training im Ich-Sagen': Personal Authenticity in the Prose Work of Günter de Bruyn O Evans Peter Lang, 1996 | 2 | 1996 |
