| Hearing gestures, seeing music: Vision influences perceived tone duration M Schutz, S Lipscomb Perception 36 (6), 888-897, 2007 | 282 | 2007 |
| “Moving to the beat” improves timing perception F Manning, M Schutz Psychonomic bulletin & review 20, 1133-1139, 2013 | 189 | 2013 |
| Seeing music? What musicians need to know about vision M Schutz Empirical Musicology Review, 2008 | 116 | 2008 |
| Causality and cross-modal integration. M Schutz, M Kubovy Journal of Experimental Psychology: Human Perception and Performance 35 (6 …, 2009 | 99 | 2009 |
| Audio-visual objects M Kubovy, M Schutz Review of Philosophy and Psychology 1, 41-61, 2010 | 84 | 2010 |
| Trained to keep a beat: movement-related enhancements to timing perception in percussionists and non-percussionists FC Manning, M Schutz Psychological Research 80, 532-542, 2016 | 72 | 2016 |
| The happy xylophone: acoustics affordances restrict an emotional palate M Schutz, D Huron, K Keeton, G Loewer Empirical Musicology Review 3 (3), 126-135, 2008 | 56 | 2008 |
| Cueing musical emotions: An empirical analysis of 24-piece sets by Bach and Chopin documents parallels with emotional speech M Poon, M Schutz Frontiers in Psychology 6, 1419, 2015 | 41 | 2015 |
| Temporal prediction abilities are mediated by motor effector and rhythmic expertise FC Manning, J Harris, M Schutz Experimental Brain Research 235, 861-871, 2017 | 39 | 2017 |
| Surveying the temporal structure of sounds used in Music Perception M Schutz, JM Vaisberg Music Perception: An Interdisciplinary Journal 31 (3), 288-296, 2014 | 31 | 2014 |
| Looking beyond the score: The musical role of percussionists’ ancillary gestures M Schutz, F Manning Music Theory Online 18 (1), 1-14, 2012 | 31 | 2012 |
| The unity assumption facilitates cross-modal binding of musical, non-speech stimuli: The role of spectral and amplitude envelope cues L Chuen, M Schutz Attention, Perception, & Psychophysics 78, 1512-1528, 2016 | 30 | 2016 |
| Visual determinants of a cross-modal illusion JA Armontrout, M Schiutz, M Kubovy Attention, Perception, & Psychophysics 71 (7), 1618-1627, 2009 | 30 | 2009 |
| Exploring the role of the amplitude envelope in duration estimation GT Vallet, DI Shore, M Schutz Perception 43 (7), 616-630, 2014 | 28 | 2014 |
| On the generalization of tones: A detailed exploration of non-speech auditory perception stimuli M Schutz, J Gillard Scientific Reports 10 (1), 1-14, 2020 | 27 | 2020 |
| Deconstructing a musical delusion: point-light representations capture salient properties of impact motions M Schutz, M Kubovy Canadian Acoustics, 23-26, 2009 | 24 | 2009 |
| Embracing anti-racist practices in the music perception and cognition community DJ Baker, A Belfi, S Creel, J Grahn, E Hannon, P Loui, EH Margulis, ... Music Perception: An Interdisciplinary Journal 38 (2), 103-105, 2020 | 23 | 2020 |
| Emotion and expertise: How listeners with formal music training use cues to perceive emotion A Battcock, M Schutz Psychological Research 86 (1), 66-86, 2022 | 22 | 2022 |
| Name that percussive tune: Associative memory and amplitude envelope M Schutz, JK Stefanucci, HB Sarah, A Roth Quarterly Journal of Experimental Psychology 70 (7), 1323-1343, 2017 | 22 | 2017 |
| Composing alarms: Considering the musical aspects of auditory alarm design J Gillard, M Schutz Neurocase 22 (6), 566-576, 2016 | 20 | 2016 |
Michael KubovyProfessor (Emeritus) of Psychology, University of Virginia在 virginia.edu 的电子邮件经过验证
