The Dada cyborg: visions of the new human in Weimar Berlin M Biro U of Minnesota Press, 2009 | 226 | 2009 |
Anselm Kiefer and the philosophy of Martin Heidegger M Biro | 97 | 2000 |
The new man as cyborg: Figures of technology in Weimar visual culture M Biro New German Critique, 71-110, 1994 | 86 | 1994 |
Representation and event: Anselm Kiefer, Joseph Beuys, and the memory of the Holocaust M Biro The Yale Journal of Criticism 16 (1), 113-146, 2003 | 46 | 2003 |
From analogue to digital photography: Bernd and Hilla Becher and Andreas Gursky M Biro History of Photography 36 (3), 353-366, 2012 | 27 | 2012 |
Raoul Hausmann's revolutionary media: dada performance, photomontage and the cyborg M Biro Art History 30 (1), 26-56, 2007 | 23 | 2007 |
Anselm Kiefer M Biro, A Kiefer (No Title), 2013 | 20 | 2013 |
Art Criticism and Deconstruction: Rosalind Krauss and Jacques Derrida M Biro Art Criticism 6 (2), 33-47, 1990 | 15 | 1990 |
Allegorical Modernism: Carl Einstein on Otto Dix M Biro Art Criticism 15 (1), 46-70, 2000 | 11 | 2000 |
Anselm Kiefer: Phaidon Focus M Biro University of Michigan, 2013 | 7 | 2013 |
Hannah Höch’s New Woman: Photomontage, Distraction, and Visual Literacy in the Weimar Republic M Biro The New Woman International: Representations in Photography and Film, 1890s …, 2011 | 7 | 2011 |
History at a standstill: Walter Benjamin, Otto Dix, and the question of stratigraphy M Biro RES: Anthropology and Aesthetics 40 (1), 153-176, 2001 | 7 | 2001 |
Otto Dix: War and Representation M Biro Nothing but the Clouds Unchanged: Artists in World War One, 108-117, 2014 | 5 | 2014 |
The Arts of Joseph Beuys M Biro Journal of the International Institute 2 (2), 1995 | 5 | 1995 |
Barjac, l’oeuvre d’art totale d’Anselm Kiefer M Biro Anselm Kiefer, Jean-Michel Bouhours, ed., 68-75, 2015 | 4 | 2015 |
Sheida Soleimani, Cyborg: Photomontage in an Expanding Network M Biro History of Photography 43 (2), 169-190, 2019 | 2 | 2019 |
Carrie Mae Weems M Biro The Brooklyn Rail, 47, 2016 | 2 | 2016 |
Documentary Photography M Biro The Oxford Encyclopedia of Aesthetics, 2nd Ed., Michael Kelly, ed., 151-155, 2014 | 2 | 2014 |
Representing Blackness: Kerry James Marshall’s Recent Work Rethinks the Meaning of ‘Black Art' M Biro Art Papers, 34-39, 2004 | 2* | 2004 |
InPolyTechnicolor M Biro Contemporary 66, 70-71, 2004 | 2 | 2004 |