| Integrating art historical, psychological, and neuroscientific explanations of artists' advantages in drawing and perception. A Kozbelt, WP Seeley Psychology of Aesthetics, Creativity, and the Arts 1 (2), 80, 2007 | 151 | 2007 |
| Cognitivism, psychology, and neuroscience: Movies as attentional engines. N Carroll, WP Seeley Oxford University Press, 2013 | 110 | 2013 |
| Art, artists, and perception: A model for premotor contributions to perceptual analysis and form recognition W Seeley, A Kozbelt Philosophical Psychology 21 (2), 149-171, 2008 | 71 | 2008 |
| Art and science: A philosophical sketch of their historical complexity and codependence NJ Bullot, WP Seeley, S Davies The Journal of Aesthetics and Art Criticism 75 (4), 453-463, 2017 | 67 | 2017 |
| Naturalizing aesthetics: art and the cognitive neuroscience of vision WP Seeley Journal of Visual Art Practice 5 (3), 195-213, 2006 | 56 | 2006 |
| Kinesthetic understanding and appreciation in dance N Carroll, WP Seeley The Journal of Aesthetics and Art Criticism 71 (2), 177-186, 2013 | 49 | 2013 |
| The philosophy of art and aesthetics, psychology, and neuroscience N Carroll, M Moore, WP Seeley Aesthetic science. Connecting minds, brains, and experience, 31-62, 2012 | 41 | 2012 |
| Art, meaning, and perception: a question of methods for a cognitive neuroscience of art WP Seeley British Journal of Aesthetics 53 (4), 443-460, 2013 | 38 | 2013 |
| What is the cognitive neuroscience of art… and why should we care? W Seeley American Society for Aesthetics Newsletter 31 (2), 2011 | 37 | 2011 |
| Olfaction, valuation, and action: reorienting perception JB Castro, WP Seeley Frontiers in Psychology 5, 299, 2014 | 33 | 2014 |
| Attentional engines: A perceptual theory of the arts WP Seeley Oxford University Press, 2020 | 22 | 2020 |
| Cognitive Theory and the Individual Film: The Case of Rear Window W Seeley, N Carroll Cognitive media theory, 235-252, 2014 | 21 | 2014 |
| Philosophy of art and empirical aesthetics: Resistance and rapprochement WP Seeley The Cambridge handbook of the psychology of aesthetics and the arts, 35-59, 2014 | 17 | 2014 |
| Art, meaning, and aesthetics: The case for a cognitive neuroscience of art WP Seeley Art, aesthetics, and the brain, 19-39, 2015 | 14 | 2015 |
| Hearing how smooth it looks: Selective attention and crossmodal perception in the arts WP Seeley Essays in Philosophy 13 (2), 498-517, 2012 | 12 | 2012 |
| Movement, gesture, and meaning WP Seeley Moving Imagination: Explorations of gesture and inner movement 89, 51, 2013 | 9 | 2013 |
| The Science of Art Is as Relevant to the Philosophy of Art as Artistic Representations Are to Science: A Reply to Roger Seamon W Seeley | 8 | 2011 |
| Imagining crawling home: a case study in cognitive science and aesthetics WP Seeley Review of Philosophy and Psychology 1, 407-426, 2010 | 8 | 2010 |
| Empirical aesthetics W Seeley | 7 | 1998 |
| A visuomotor skill model for artists' advantages in drawing, visual analysis, and form recognition W Seeley, A Kozbelt | 6 | 2004 |
Aaron KozbeltProfessor of Psychology, Brooklyn College在 brooklyn.cuny.edu 的电子邮件经过验证
