| The rhetoric of purity: Essentialist theory and the advent of abstract painting MA Cheetham | 198 | 1994 |
| The subjects of art history: historical objects in contemporary perspectives MA Cheetham, MA Holly, KPF Moxey (No Title), 1998 | 95 | 1998 |
| Kant, Art, and Art History: Moments of Discipline MA Cheetham Cambridge University Press, 2001 | 85 | 2001 |
| Landscape into eco art: Articulations of nature since the’60s M Cheetham Penn State University Press, 2018 | 77 | 2018 |
| Artwriting, nation, and cosmopolitanism in Britain: the'Englishness' of English art theory since the eighteenth century MA Cheetham Ashgate Publishing, Ltd., 2012 | 48 | 2012 |
| Remembering postmodernism: Trends in recent Canadian art L Hutcheon, M Cheetham | 37 | 2018 |
| Abstract art against autonomy: infection, resistance, and cure since the 60s MA Cheetham (No Title), 2006 | 27 | 2006 |
| The crystal interface in contemporary art: metaphors of the organic and inorganic MA Cheetham Leonardo 43 (3), 250-255, 2010 | 26 | 2010 |
| Obscure imaginings: visual culture and the anatomy of caves MA Cheetham, ED Harvey journal of visual culture 1 (1), 105-126, 2002 | 26 | 2002 |
| Art History: Moments of Discipline MA Cheetham, A Kant Cambridge 22009, 148-158, 2001 | 26 | 2001 |
| Visual studies, historiography and aesthetics MA Cheetham, MA Holly, K Moxey journal of visual culture 4 (1), 75-90, 2005 | 21 | 2005 |
| Theory between the Disciplines: Authority/Vision M Kreiswirth, MA Cheetham Politics, 1990 | 17 | 1990 |
| Theory between the disciplines: Authority/vision/politics M Kreiswirth, MA Cheetham | 14 | 1990 |
| The taste for phenomena: Mount Vesuvius and transformations in late 18th-century European landscape depiction MA Cheetham Wallraf-Richartz-Jahrbuch 45, 131-144, 1984 | 14 | 1984 |
| Alex Colville: The Observer Observed:[a Biography] MA Cheetham ECW Press, 1994 | 13 | 1994 |
| Mystical Memories: Gauguin's Neoplatonism and “Abstraction” in Late-Nineteenth-Century French Painting MA Cheetham Art Journal 46 (1), 15-21, 1987 | 11 | 1987 |
| Tongues of glaciers: sedimenting language in Roni Horn’s Vatnasafn/Library of Water and Anne Carson’s “Wildly Constant” ED Harvey, MA Cheetham Word & image 31 (1), 19-27, 2015 | 10 | 2015 |
| Theory reception: Panofsky, Kant, and disciplinary cosmopolitanism MA Cheetham Journal of Art Historiography, 2009 | 10 | 2009 |
| Immanuel Kant and the Bo (a) rders of Art History MA Cheetham Painting: Critical and Primary Sources 3, 3, 2016 | 9 | 2016 |
| Matting the Monochrome: Malevich, Klein, and Now MA Cheetham Art Journal 64 (4), 94-109, 2005 | 8 | 2005 |
