| Vrengt: a shared body-machine instrument for music-dance performance C Erdem, KH Schia, AR Jensenius arXiv preprint arXiv:2010.03779, 2020 | 30 | 2020 |
| Exploring relationships between effort, motion, and sound in new musical instruments C Erdem, Q Lan, AR Jensenius Human Technology 16 (3), 310-347, 2020 | 13 | 2020 |
| RAW: Exploring control structures for muscle-based interaction in collective improvisation C Erdem, AR Jensenius Proceedings of the International Conference on New Interfaces for Musical …, 2020 | 13 | 2020 |
| CAVI: A coadaptive audiovisual Instrument–Composition C Erdem, B Wallace, AR Jensenius NIME 2022, 2022 | 11 | 2022 |
| Biostomp: a biocontrol system for embodied performance using mechanomyography. C Erdem, A Camci, AG Forbes NIME, 65-70, 2017 | 10 | 2017 |
| Sensing place and presence in an intimal long-distance improvisation X Alarcon Diaz, P Boddie, C Erdem, E Aandahl, E Sukken Andersen, ... Journal of Network Music and Arts 1 (1), 3, 2019 | 8 | 2019 |
| INTIMAL: Walking to feel place, breathing to feel presence X Alarcón Díaz, VE Gonzalez Sanchez, C Erdem Proceedings of the International Conference on New Interfaces for Musical …, 2019 | 8 | 2019 |
| Towards Playing in the'Air': Modeling Motion-Sound Energy Relationships in Electric Guitar Performance Using Deep Neural Networks C Erdem, Q Lan, J Fuhrer, CP Martin, J Tørresen, AR Jensenius Proceedings of the SMC Conferences, 177-184, 2020 | 6 | 2020 |
| Gestures in ensemble performance AR Jensenius, Ç Erdem Together in Music: Coordination, Expression, Participation 109, 2021 | 5 | 2021 |
| Experiencing Rotation and Curvature Gain for Redirected Walking in Virtual Reality EM Kjenstad, HK Ringsby, RJ Gaeb, Ç Erdem, K Kousias, O Alay, ... Proceedings of the 15th International Workshop on Immersive Mixed and …, 2023 | 4 | 2023 |
| A system for sonic explorations with evolutionary algorithms BÞ Jónsson, Ç Erdem, K Glette Journal of the Audio Engineering Society 72 (4), 257-266, 2024 | 2 | 2024 |
| Towards Sound Innovation Engines Using Pattern-Producing Networks and Audio Graphs BÞ Jónsson, Ç Erdem, S Fasciani, K Glette International Conference on Computational Intelligence in Music, Sound, Art …, 2024 | 2 | 2024 |
| What Makes Interactive Art Engaging? M Krzyzaniak, Ç Erdem, K Glette Frontiers in Computer Science 4, 859496, 2022 | 2 | 2022 |
| Çagri Erdem. 2019c.“INTIMAL: Walking to Feel Place, Breathing to Feel Presence.” X Alarcón-Díaz, VE Gonzalez Sanchez Proceedings of the International Conference on New Interfaces for Musical …, 0 | 2 | |
| Me & My Musical AI" Toddler" C Erdem, AR Jensenius NIME 2022, 2022 | 1 | 2022 |
| Controlling or Being Controlled? Exploring Embodiment, Agency and Artificial Intelligence in Interactive Music Performance Ç Erdem | 1 | 2022 |
| How do Users Experience Asynchrony between Visual and Haptic Information? S Zoltanski, Ç Erdem, K Kousias, Ö Alay, C Griwodz Proceedings of the 15th ACM Multimedia Systems Conference, 221-230, 2024 | | 2024 |
| The Feedback Mop Cello: An Instrument for Interacting with Acoustic Feedback Loops HA von Arnim, S Fasciani, C Erdem Proceedings of the International Conference on New Interfaces for Musical …, 2023 | | 2023 |
| Tool or Actor? Expert Improvisers' Evaluation of a Musical AI “Toddler” Ç Erdem, B Wallace, K Glette, AR Jensenius Computer Music Journal 46 (4), 26-42, 2022 | | 2022 |
| Exploring Musical Agents with Embodied Perspectives Ç Erdem International Seminar on Sonic Design, 321-341, 2022 | | 2022 |
Alexander Refsum JenseniusProfessor of Music Technology, University of Oslo在 imv.uio.no 的电子邮件经过验证
