| From riches to rags: Biofuels, media discourses, and resistance to sustainable energy technologies F Sengers, R Raven, A Van Venrooij Energy Policy 38 (9), 5013-5027, 2010 | 165 | 2010 |
| The evaluation of popular music in the United States, Germany and the Netherlands: A comparison of the use of high art and popular aesthetic criteria A Van Venrooij, V Schmutz Cultural Sociology 4 (3), 395-421, 2010 | 150 | 2010 |
| Change and continuity in newspaper coverage of popular music since 1955: Evidence from the United States, France, Germany, and the Netherlands V Schmutz, A Van Venrooij, S Janssen, M Verboord Popular Music and Society 33 (4), 501-515, 2010 | 81 | 2010 |
| The aesthetic discourse space of popular music: 1985–86 and 2004–05 A Van Venrooij Poetics 37 (4), 315-332, 2009 | 76 | 2009 |
| Categorical ambiguity in cultural fields: The effects of genre fuzziness in popular music A Van Venrooij, V Schmutz Poetics 66, 1-18, 2018 | 50 | 2018 |
| A community ecology of genres: Explaining the emergence of new genres in the UK field of electronic/dance music, 1985–1999 A Van Venrooij Poetics 52, 104-123, 2015 | 29 | 2015 |
| Harmonizing forms of legitimacy in the consecration of popular music V Schmutz, A van Venrooij American Behavioral Scientist 65 (1), 83-98, 2021 | 19 | 2021 |
| Taste differentiation and hierarchization within popular culture: The case of salsa music T Bachmayer, N Wilterdink, A Van Venrooij Poetics 47, 60-82, 2014 | 19 | 2014 |
| Classifications in popular music: discourses and meaning structures in American, Dutch and German popular music reviews A Van Venrooij | 19* | 2009 |
| Classifying popular music in the United States and the Netherlands A Van Venrooij American Behavioral Scientist 55 (5), 609-623, 2011 | 18 | 2011 |
| Intersecting fields: The influence of proximate field dynamics on the development of electronic/dance music in the US and UK R Wilderom, A van Venrooij Poetics 77, 101389, 2019 | 15 | 2019 |
| Race and genre ambiguity in the critical reception of popular music A van Venrooij, C Miller, V Schmutz Sociological Inquiry 92 (2), 568-596, 2022 | 9 | 2022 |
| De categorische imperatief in de populaire muziek A van Venrooij, V Schmutz Tijdschrift Sociologie 9 (1), 73-96, 2013 | 5 | 2013 |
| Signals in the waves of surf: Category development and signals in surf music MB Punt, A van Venrooij Sociological Perspectives 64 (3), 387-410, 2021 | 4 | 2021 |
| 'Een poging brokstukken van oplossingen in elkaar te passen.'De eerste vijf jaar van het Amsterdams Sociologisch Tijdschrift G Kuipers, A Venrooij Amsterdams sociologisch tijdschrift 31 (4), 448-465, 2004 | 3 | 2004 |
| The French Alternative to Bourdieu? Hennion, Actor-Network Theory, and the Sociology of Mediation A van Venrooij Contemporary Sociology 47 (4), 408-412, 2018 | 2 | 2018 |
| The dynamics of dance: An early history of electronic dance music A van Venrooij, R Wilderom The Bloomsbury Handbook of Popular Music and Youth Culture, 257, 2022 | | 2022 |
| Book Review:“Measuring Culture”[Review of: JW Mohr, C. Bail, M. Fryre, J. Lena, O. Lizardo, T. McDonnell, A. Mische, I. Tavory & F. Wherry (2020) Measuring Culture] A van Venrooij ASA Sociology Culture Section Newsletter 35, 2021 | | 2021 |
| Concurrence, consensus et consécration dans la musique populaire V Schmutz, A van Venrooij LimogesPulim, 2018 | | 2018 |
| Over het ontstaan van culturele soorten. Een ecologische analyse van het ontstaan van nieuwe genres in de elektronische dansmuziek A van Venrooij Sociologie 2, 93-123, 2014 | | 2014 |
Vaughn SchmutzAssociate Professor of Sociology, University of North Carolina at Charlotte在 uncc.edu 的电子邮件经过验证
