| The concrete and the digital: emotional and kinaesthetic amplification of the authentic and digitalised body in screendance J Ginslov LAP Lambert Academic Publishing, 2016 | 4 | 2016 |
| Deep Flow: a tentacular worlding of dance, biosensor technology, lived experience and embodied materials of the human and non-humankind J Ginslov London South Bank University, 2021 | 3 | 2021 |
| DEEP FLOW: an embodied materiality of dance, technology, and bodily experience J Ginslov Body, Space & Technology 21 (1), 2022 | 1 | 2022 |
| The Dance Factory, Newtown, Johannesburg a site of resistance J Ginslov Rhodes University; Faculty of Humanities, Drama, 1998 | 1 | 1998 |
| Deep Flow: A Tentacular Worlding of Embodied Dance Practice, Knowing, and Healing J Ginslov Health Humanities in Application, 153-173, 2023 | | 2023 |
| Rippling Outwardly: Archives With Augmented And Mixed Reality J Ginslov The International Journal of Screendance 13, 2022 | | 2022 |
| Deep Flow J Ginslov London South Bank University, 2021 | | 2021 |
| Reflecting on the Experience the Self in the Smart City J Ginslov, D Spikol Symposium on Digital Urbanism, 2019 | | 2019 |
| “tentacular worlding” an assemblage of dance, technology and lived experience through embodied relational biofeedback and materials of the human and non-humankind. J Ginslov 'On the Notion of Practice', 2019 | | 2019 |
| Conspiracy Archives a process archive of an archival process J Ginslov, S Kozel, MS Guðjónsdóttir, K Lim Researching (in/as) Motion 10, 2019 | | 2019 |
| The Poetics of Temporal Scaffolding and Porosity: Sharing Affect and Memory J Ginslov Technological Poetics in the Performing Arts in Repertoire Magazine 20 (28), 2017 | | 2017 |
| The poetics of temporal scaffolding and porosity: sharing affect and memory [Jeannette Ginslov] J Ginslov Repertório, 222-249, 2017 | | 2017 |
| Temporal Scaffolding: A Collaborative and Networked Infrastructure of Techne, Screendance, AR, Affect, Audiences and Smart Mobile Devices in the Project AffeXity J GINSLOV Intersecting Art and Technology in Practice, 126-141, 2016 | | 2016 |
| Using Augmented Reality, Artistic Research and Mobile Phones to Explore Practice-based Learning. D Spikol, C Ryd, J Smolicki, J Ginslov, S Koze BIIML, 2014 | | 2014 |
| Laban Body/Space/Emergence Conference Pretoria University 18 January 2014 J Ginslov | | 2014 |
| Prototyping Futures E Björgvinsson, A Birt, D Cuartielles, P Davidsson, P Ehn, J Ginslov, ... Malmö university, 2012 | | 2012 |
| FIRST STEPS J Ginslov | | 1998 |
| THE DANCE FACTORY J Ginslov | | 1998 |
| P (AR) ticipate J Ginslov POLITICS PRACTICES POETICS, 87, 0 | | |
| The School of Media Arts and Imaging Duncan of Jordanstone College of Art & Design University of Dundee Master of Science in Media Arts & Imaging Master of Science Report J Ginslov | | |
