| Post-industrial fog: Reconsidering innovation in visions of journalism’s future B Creech, AM Nadler Journalism 19 (2), 182-199, 2018 | 104 | 2018 |
| Imagining the journalist of the future: Technological visions of journalism education and newswork B Creech, AL Mendelson The communication review 18 (2), 142-165, 2015 | 104 | 2015 |
| Reading news as narrative: A genre approach to journalism studies M Buozis, B Creech Journalism Studies 19 (10), 1430-1446, 2018 | 78 | 2018 |
| Fake news and the discursive construction of technology companies’ social power B Creech Media, Culture & Society 42 (6), 952-968, 2020 | 45 | 2020 |
| Bearing the cost to witness: the political economy of risk in contemporary conflict and war reporting B Creech Media, Culture & Society 40 (4), 567-583, 2018 | 45 | 2018 |
| Voices for a new vernacular: a forum on digital storytelling interview with Henry Jenkins H Jenkins, MC Lashley, B Creech International Journal of Communication 11 (8), 1061-1068, 2017 | 37 | 2017 |
| Interrogating LeftTube: ContraPoints and the possibilities of critical media praxis on YouTube J Maddox, B Creech Television & New Media 22 (6), 595-615, 2021 | 33 | 2021 |
| Declaring the value of truth: progressive-era lessons for combatting fake news B Creech, A Roessner Journalism Practice 13 (3), 263-279, 2019 | 30 | 2019 |
| “A Measure of Theory?”: Considering the Role of Theory in Media History A Roessner, R Popp, B Creech, F Blevens American Journalism 30 (2), 260-278, 2013 | 26 | 2013 |
| Disciplines of truth: The ‘Arab Spring’, American journalistic practice, and the production of public knowledge B Creech Journalism 16 (8), 1010-1026, 2015 | 23 | 2015 |
| Journalism’s institutional discourses in the pre-Internet era: Industry threats and persistent nostalgia at the American Society of Newspaper Editors M Buozis, S Rooney, B Creech Journalism 22 (1), 69-85, 2021 | 16 | 2021 |
| A forum on digital storytelling| Interview with Henry Jenkins H Jenkins, MC Lashley, B Creech International Journal of Communication 11, 8, 2017 | 16 | 2017 |
| “Make Every Frame Count”: The practice of slow photojournalism and the work of David Burnett AL Mendelson, B Creech Slow Journalism, 228-245, 2020 | 15 | 2020 |
| A newsmaker’s tool: The 35mm camera and journalism’s material epistemology B Creech Journalism 18 (9), 1125-1141, 2017 | 15 | 2017 |
| Digital representation and Occupy Wall Street’s challenge to political subjectivity B Creech Convergence 20 (4), 461-477, 2014 | 15 | 2014 |
| Promises granted: venture philanthropy and tech ideology in metajournalistic discourse B Creech, P Parks Journalism Studies 23 (1), 70-88, 2022 | 14 | 2022 |
| Thus spoke Zuckerberg: Journalistic discourse, executive personae, and the personalization of tech industry power B Creech, J Maddox New Media & Society 26 (7), 4201-4218, 2024 | 13 | 2024 |
| Exploring the politics of visibility: Technology, digital representation, and the mediated workings of power B Creech Semiotica 2020 (236-237), 123-139, 2020 | 13 | 2020 |
| A Forum on Digital Storytelling| Interview with Zizi Papacharissi Z Papacharissi, MC Lashley, B Creech International Journal of Communication 11, 5, 2017 | 11 | 2017 |
| Finding the White working class in 2016: Journalistic discourses and the construction of a political identity B Creech European Journal of Cultural Studies 23 (2), 201-222, 2020 | 10 | 2020 |
Amber RoessnerProfessor, University of Tennessee在 utk.edu 的电子邮件经过验证
