| Independent Chinese documentary: from the studio to the street L Robinson Springer, 2013 | 139 | 2013 |
| From'public'to'private': Chinese documentary and the logic of xianchang L Robinson University of Sussex, 2010 | 62 | 2010 |
| Chinese Film Festivals C Berry, L Robinson New York: Palgrave, 2017 | 48* | 2017 |
| To Whom Do Our Bodies Belong? L Robinson DV-Made China: Digital Subjects and Social Transformations after Independent …, 2015 | 24 | 2015 |
| Chinese documentary as public culture L Robinson International Communication of Chinese Culture 2, 69-75, 2015 | 12 | 2015 |
| Making space for Chinese independent documentary: The case of Yunfest 2011 L Robinson, J Chio Journal of Chinese Cinemas 7 (1), 21-40, 2013 | 9 | 2013 |
| Wong Kar-wai's sensuous histories L Robinson Consuming China, 190-207, 2012 | 8 | 2012 |
| Sole traders, cultural brokers, and Chinese-language film festivals in the United Kingdom: The London Taiwan Cinefest and the Chinese Visual Festival L Robinson Chinese Film Festivals: Sites of Translation, 193-213, 2017 | 5 | 2017 |
| Individual, network, assemblage: creating connections on the global film festival circuit L Robinson Film Studies 14 (1), 75-92, 2016 | 5 | 2016 |
| Voice, Liveness, Digital Video: The Talking Head in Contemporary Independent Chinese Documentary L Robinson positions: east asia cultures critique 22 (2), 489-515, 2014 | 5 | 2014 |
| Animating the Chinese Child Consumer: Remaking Sparkling Red Star for the market L Robinson Journal of Children and Media 5 (4), 426-441, 2011 | 5 | 2011 |
| Alternative archives and individual subjectivities: Ou Ning’s Meishi Street L Robinson University of Sussex, 2012 | 4 | 2012 |
| Non-state agents, quotidian soft power, and the work of the overseas film festival: case studies from London L Robinson Screening China's Soft Power, 111-127, 2017 | 3 | 2017 |
| Worrying about China: storytelling, humanitarian intervention and the global circulation of independent Chinese documentary L Robinson Studies in Documentary Film 18 (1), 1-17, 2024 | 1 | 2024 |
| Midi Z, network aesthetics from below, and the cultural politics of Taiwanese subimperialism L Robinson Screen 61 (1), 98-118, 2020 | 1 | 2020 |
| Kazuhiro Soda’s migrant voices L Robinson Vocal projections: The voice in documentary, 203-218, 2018 | 1 | 2018 |
| Sundance, CNEX, and the Cultural Politics of Story L Robinson World Records 5, 77-80, 2021 | | 2021 |
| Globalizing Ai Weiwei L Robinson Routledge, 2019 | | 2019 |
| 《 軟實力, 電影與電影節: 裴開瑞, 盧克 羅賓遜, 林松輝對談》[Soft Power, film, and film festivals: Chris Berry, Luke Robinson, and Song Hwee Lim in conversation] L Robinson, C Berry, L Song Hwee Chinese University of Hong Kong Press, 2018 | | 2018 |
| Documenting Dissent: Political documentary in the People's Republic of China L Robinson The Routledge Companion to Cinema and Politics, 458-468, 2016 | | 2016 |
