| Music as multimodal discourse: Semiotics, power and protest LCS Way, S McKerrell Bloomsbury Publishing, 2017 | 421 | 2017 |
| Understanding music as multimodal discourse S McKerrell, L Way Music as multimodal discourse: Semiotics, power and protest 10, 1, 2017 | 40 | 2017 |
| Focus: Scottish traditional music S McKerrell Routledge, 2015 | 30 | 2015 |
| Hearing sectarianism: understanding Scottish sectarianism as song S McKerrell Critical Discourse Studies 9 (4), 363-374, 2012 | 29 | 2012 |
| Towards practice research in ethnomusicology S McKerrell Ethnomusicology forum 31 (1), 10-27, 2022 | 22 | 2022 |
| Social distance and the multimodal construction of the Other in sectarian song S McKerrell Social Semiotics 25 (5), 614-632, 2015 | 22 | 2015 |
| Community experiences of sectarianism K Goodall, P Hopkins, S McKerrell, J Markey, SR Millar, J Richardson, ... Scottish Government Social Research, 2015 | 18 | 2015 |
| Modern Scottish Bands (1970-1990): Cash as Authenticity S McKerrell Scottish music review 2 (1), 2011 | 17 | 2011 |
| Sectarianism in Scotland: A ‘West of Scotland’problem, a patchwork or a cobweb? K Goodall, S McKerrell, J Markey, SR Millar, MJ Richardson 1 Scottish Affairs 24 (3), 288-307, 2015 | 14 | 2015 |
| Traditional arts and the state: The Scottish case S McKerrell Cultural Trends 23 (3), 159-168, 2014 | 14 | 2014 |
| The Concept of Mode in Scottish Bagpipe Music S McKerrell The Highland Bagpipe: Music, History, Tradition, 2009 | 11 | 2009 |
| Social constructionism in music studies S McKERRELL Popular Music 35 (3), 425-428, 2016 | 10 | 2016 |
| 'An ethnography of hearing: somaesthetic hearing in traditional music' S McKerrell In: Flath, B., Pirchner, A., Pölzl, E., Sackl, S, (eds.) The Body Is The …, 2012 | 10 | 2012 |
| Sound performing: sound aesthetics among competitive pipers S McKerrell International review of the aesthetics and sociology of music, 165-187, 2011 | 10 | 2011 |
| Music as Multimodal Discourse: Semiotics LCS Way, S McKerrell Power and Protest. London: Bloomsbury, 2017 | 7 | 2017 |
| Understanding Scotland musically: folk, tradition and policy S McKerrell, G West Routledge, 2018 | 6 | 2018 |
| Music as multimodal discourse: Semiotics, power and protest CSW Lyndon, S McKerrell New York: Bloomsbury Academic, 2017 | 6 | 2017 |
| Scottish competition bagpipe performance: sound, mode and aesthetics SA McKerrell The University of St Andrews, 2005 | 6 | 2005 |
| Way. 2017.‘Understanding Music as Multimodal Discourse’ S McKerrell, CS Lyndon Music as Multimodal Discourse: Semiotics, Power and Protest, 1-20, 0 | 6 | |
| Mobilizing traditional music in the rural creative economy of Argyll and Bute, Scotland S McKerrell, J Hornabrook Creative Industries Journal 15 (3), 237-256, 2022 | 5 | 2022 |
Lyndon C S WayLecturer of Communication and Media, University of Liverpool在 liverpool.ac.uk 的电子邮件经过验证
