| The "Sound of Silence" in a neonatal intensive care unit–Listening to speech and music inside an incubator MA Bertsch, C Reuter, I Czedik-Eysenberg, A Berger, M Olischar, ... Frontiers in Psychology 11, 1055, 2020 | 30 | 2020 |
| Guitar profiling technology in metal music production: public reception, capability, consequences and perspectives JP Herbst, C Reuter, I Czedik-Eysenberg Metal Music Studies 4 (3), 481-506, 2018 | 14 | 2018 |
| "Hardness" as a semantic audio descriptor for music using automatic feature extraction I Czedik-Eysenberg, D Knauf, C Reuter INFORMATIK 2017, 2017 | 6 | 2017 |
| Was macht Musik „hart“? Klangliche Merkmale zur genreübergreifenden Identifikation musikalischer Härte I Czedik-Eysenberg, D Knauf, C Reuter Fortschritte der Akustik. DAGA 2017, 186-189, 2017 | 6 | 2017 |
| Associations Between Ancillary Body Movements and Acoustic Parameters of Pitch, Dynamics and Timbre in Clarinet Playing M Nusseck, I Czedik-Eysenberg, C Spahn, C Reuter Frontiers in Psychology 13, 885970, 2022 | 5 | 2022 |
| A snippet in a snippet: Development of the Matryoshka principle for the construction of very short musical stimuli (plinks) FC Thiesen, R Kopiez, C Reuter, I Czedik-Eysenberg Musicae Scientiae 24 (4), 515-529, 2020 | 5 | 2020 |
| Colors and timbres—consistent color-timbre mappings at non-synesthetic individuals C Reuter, J Jewanski, C Saitis, I Czedik-Eysenberg, S Siddiq, M Oehler Proceedings of the 34th Jahrestagung der Deutschen Gesellschaft für …, 2018 | 5 | 2018 |
| Formanten als hilfreiche timbredeskriptoren für die darstellung von blasinstrumentenklängen C Reuter, I Czedik-Eysenberg, S Siddiq, M Oehler Proceedings of the 43. Conference of Acoustic (DAGA 2017), 190-193, 2017 | 5 | 2017 |
| Der Klang der Marken–Branchentypische psychoakustische Eigenschaften von Audiologos C Anzenbacher, I Czedik-Eysenberg, C Reuter, M Oehler Proceedings der 41. jahrestagung für akustik, 2015, Nuremburg, 928-931, 2015 | 5 | 2015 |
| Duration, song section, entropy: Suggestions for a model of rapid music recognition processes FC Thiesen, R Kopiez, D Müllensiefen, C Reuter, I Czedik-Eysenberg Journal of New Music Research 49 (4), 334-348, 2020 | 4 | 2020 |
| Die physikalischen Korrelate von Instrumentalklangfarben S Siddiq, C Reuter, I Czedik-Eysenberg, D Knauf Fortschritte der Akustik–DAGA 2018, München, 1695-1698, 2018 | 4 | 2018 |
| Timbre Space reloaded: Tonhöhe und Dynamik als Teil der Klangfarbenempfindung S Siddiq, C Reuter, I Czedik-Eysenberg, D Knauf DAGA 43, 194-197, 2017 | 4 | 2017 |
| Towards the comparability and generality of timbre space studies S Siddiq¹, C Reuter¹, I Czedik-Eysenberg¹, D Knauf Proceedings of the Third Vienna Talk on Music Acoustics 16, 19, 2015 | 4 | 2015 |
| Dynamics and Low-Frequency Ratio in Popular Music Recordings since 1965 M Oehler, C Reuter, I Czedik-Eysenberg Audio Engineering Society Conference: 57th International Conference: The …, 2015 | 4 | 2015 |
| Vergleichende Untersuchungen zu Timbre Space Studien S Siddiq, C Reuter, I Czedik-Eysenberg, D Knauf Fortschritte der Akustik. DAGA 41, 811-813, 2015 | 4 | 2015 |
| Identifying songs from their piano-driven opening chords I Jimenez, T Kuusi, I Czedik-Eysenberg, C Reuter Musicae Scientiae 27 (1), 27-53, 2023 | 3 | 2023 |
| Decoding the sound of ‘hardness’ and ‘darkness’ as perceptual dimensions of music I Czedik-Eysenberg, C Reuter, D Knauf Proceedings of the 15th International Conference on Music Perception and …, 2018 | 3 | 2018 |
| The closer the better: The role of formant positions in timbre similarity perception and timbre classification C Reuter, I Czedik-Eysenberg, S Siddiq, M Oehler TIMBRE 2018 McGill Music Conference, Montreal, Canada, 2018 | 2 | 2018 |
| Formant distances and the similarity perception of wind instrument timbres C Reuter, I Czedik-Eysenberg, S Siddiq, M Oehler Proceedings of ICMPC15/ESCOM10. Centre for Systematic Musicology, University …, 2018 | 2 | 2018 |
| Tönend bewegte Normen: Akustische und kinetische Morphs bei Sängerinnen und Sängern." C Reuter, C Wöllner, I Czedik-Eysenberg, J Hohagen Poster presented at" Akustik und Musikalische Hörwahrnehmung 32, 2016 | 2 | 2016 |
Christoph ReuterProfessor für Systematische Musikwissenschaft, Musikwissenschaftliches Institut, Universität Wien在 univie.ac.at 的电子邮件经过验证
