Hip Hop Africa: new African music in a globalizing world R Polak, JW Shipley, L Watkins, P Tang, DB Reed, J Fenn, S Shonekan, ... Indiana University Press, 2012 | 213 | 2012 |
Cross-cultural work in music cognition: Challenges, insights, and recommendations N Jacoby, EH Margulis, M Clayton, E Hannon, H Honing, J Iversen, ... Music Perception 37 (3), 185-195, 2020 | 139* | 2020 |
Rhythmic feel as meter: Non-isochronous beat subdivision in jembe music from Mali R Polak Music Theory Online 16 (4), 2010 | 130 | 2010 |
Timing and meter in Mande drumming from Mali R Polak, J London Music Theory Online 20 (1), 2014 | 83 | 2014 |
A musical instrument travels around the world: Jenbe playing in Bamako, West Africa, and beyond R Polak The World of Music, 7-46, 2000 | 82 | 2000 |
Rhythmic Prototypes Across Cultures: A Comparative Study of Tapping Synchronization R Polak, N Jacoby, T Fischinger, D Goldberg, A Holzapfel, J London Music Perception 36 (1), 1–23, 2018 | 79 | 2018 |
Both Isochronous and Non-Isochronous Metrical Subdivision Afford Precise and Stable Ensemble Entrainment: A Corpus Study of Malian Jembe Drumming. R Polak, J London, N Jacoby Frontiers in Neuroscience 10, 285, 2016 | 77 | 2016 |
Rhythm histograms and musical meter: A corpus study of Malian percussion music J London, R Polak, N Jacoby Psychonomic Bulletin & Review 24 (2), 474–480, 2017 | 69 | 2017 |
Universality and cross-cultural variation in mental representations of music revealed by global comparison of rhythm priors N Jacoby, R Polak, J Grahn, DJ Cameron, KM Lee, R Godoy, ... PsyArXiv, 2021 | 40 | 2021 |
Festmusik als Arbeit, Trommeln als Beruf. Jenbe-Spieler in einer westafrikanischen Großstadt. R Polak Berlin: Reimer, 2004 | 32* | 2004 |
Performing audience. On the social constitution of focused interaction at celebrations in Mali R Polak Anthropos, 3-18, 2007 | 26 | 2007 |
Perception and evaluation of timing patterns in drum ensemble music from Mali H Neuhoff, R Polak, T Fischinger Music Perception: An Interdisciplinary Journal 34 (4), 438-451, 2017 | 19 | 2017 |
The lower limit for meter in dance drumming from West Africa R Polak Empirical Musicology Review 12 (3-4), 205-226, 2017 | 18 | 2017 |
Extreme precision in rhythmic interaction is enabled by role-optimized sensorimotor coupling: analysis and modelling of West African drum ensemble music N Jacoby, R Polak, J London Philosophical Transactions of the Royal Society B 376 (1835), 20200331, 2021 | 16 | 2021 |
Urban Drumming Traditional Jembe Celebration Music in a West African City (Bamako) R Polak Hip Hop Africa: New African Music in a Glo-balizing World, 261-315, 2012 | 15 | 2012 |
Jenbe music in Bamako: Microtiming as formal model and performance practice R Polak Iwalewa Forum 2, 23-42, 1998 | 15 | 1998 |
Aesthetics of musical timing: Culture and expertise affect preferences for isochrony but not synchrony K Jakubowski, R Polak, M Rocamora, L Jure, N Jacoby Cognition 227, 105205, 2022 | 13 | 2022 |
Pattern and variation in the timing of aksak meter: Commentary on Goldberg R Polak Empirical Musicology Review 10 (4), 329-340, 2015 | 10 | 2015 |
IEMP Malian jembe R Polak, S Tarsitani, M Clayton Open Science Framework, 2018 | 8 | 2018 |
Commonality and variation in mental representations of music revealed by a cross-cultural comparison of rhythm priors in 15 countries N Jacoby, R Polak, JA Grahn, DJ Cameron, KM Lee, R Godoy, ... Nature Human Behaviour, 1-32, 2024 | 7 | 2024 |