| Studying Instagram beyond selfies A Caliandro, J Graham Social media+ society 6 (2), 2056305120924779, 2020 | 112 | 2020 |
| Cyber security essentials J Graham, R Olson, R Howard CRC Press, 2016 | 112 | 2016 |
| Land and nationalism in fictions from Southern Africa J Graham Routledge, 2011 | 65 | 2011 |
| Postcolonial studies and world literature J Graham, M Niblett, S Deckard Journal of Postcolonial Writing 48 (5), 465-471, 2012 | 53 | 2012 |
| Collaborative production in the creative industries A Gandini, J Graham University of Westminster Press, 2017 | 32 | 2017 |
| Exploding Johannesburg: Driving in a worldly city J Graham Transtext (e) s Transcultures 跨文本跨文化. Journal of Global Cultural …, 2007 | 30 | 2007 |
| Ivan Vladislavić and the possible city J Graham Journal of Postcolonial Writing 44 (4), 333-344, 2008 | 24 | 2008 |
| Suspension of Contractors and Ongoing Criminal Investigations for Contract Fraud: Looking for Fairness from a Tightrope of Competing Interests JJ Graham Pub. Cont. LJ 14, 216, 1983 | 22 | 1983 |
| ‘This In’t Good Will Hunting’: Londonstani and the Market for London’s Multicultural Fictions. J Graham Literary London: Interdisciplinary Studies in the Representation of London 6 (2), 2008 | 19 | 2008 |
| Postcolonial purgatory: The space of migrancy in Dirty Pretty Things J Graham Postcolonial Spaces: The politics of place in contemporary culture, 112-128, 2011 | 18 | 2011 |
| Mischarging: A Contract Cost Dispute or a Criminal Fraud? JJ Graham Public Contract Law Journal, 208-243, 1984 | 16 | 1984 |
| Cyber fraud: tactics, techniques, and procedures J Graham, R Howard Auerbach Publications, 2009 | 13 | 2009 |
| Introduction: Collaborative production in the creative industries J Graham, A Gandini Collaborative Production in the Creative Industries, 1-14, 2017 | 11 | 2017 |
| An interview with Gautam Malkani: Ealing Broadway, 6th November 2007. J Graham Literary London: interdisciplinary studies in the representation of London 6 (1), 2008 | 9 | 2008 |
| AN ABJECT LAND? REMEMBERING WOMEN DIFFERENTLY IN DORIS LESSING'S THE GRASS IS SINGING AND CHENJERAI HOVE'S BONES J Graham English Studies in Africa 50 (1), 57-74, 2007 | 9 | 2007 |
| “A country with land but no habitat”: Women, violent accumulation and negative-value in Yvonne Vera’s The Stone Virgins J Graham Journal of Postcolonial Writing 53 (3), 355-366, 2017 | 8 | 2017 |
| Revisiting the Olympic legacy J Graham, B Gilbert, A Minton, M Perryman, G Poynter, C Westall Soundings 53 (53), 82-92, 2013 | 7 | 2013 |
| Introduction to the symposium: Ivan Vladislavić, writing visual culture, and the globalization of a South African “artworld” K Reid, J Graham The Journal of Commonwealth Literature 52 (1), 3-10, 2017 | 6 | 2017 |
| Writing the Land: Representations of'the land'and nationalism in Anglophone literature from South Africa and Zimbabwe 1969-2002 JJJG Graham University of Warwick, 2006 | 5 | 2006 |
| Re-evaluation of the Dispute Resolution Mechanism in the Canada-US Free Trade Agreement: The Softwood Lumber Dispute J Graham Case W. Res. J. Int'l L. 28, 473, 1996 | 4 | 1996 |
Alessandro CaliandroUniversity of Pavia在 unipv.it 的电子邮件经过验证
