| Improtek: introducing scenarios into human-computer music improvisation J Nika, M Chemillier, G Assayag ACM Computers in Entertainment (CIE) 14 (2), 2017 | 51 | 2017 |
| Improtek: integrating harmonic controls into improvisation in the filiation of OMax J Nika, M Chemillier International Computer Music Conference (ICMC), 180-187, 2012 | 39 | 2012 |
| DYCI2 agents: merging the "free", "reactive", and "scenario-based" music generation paradigms J Nika, K Déguernel, A Chemla, E Vincent, G Assayag International Computer Music Conference, 2017 | 38 | 2017 |
| Using musical relationships between chord labels in automatic chord extraction tasks T Carsault, J Nika, P Esling International Society for Music Information Retrieval Conference (ISMIR 2018), 2018 | 22 | 2018 |
| La contramétricité dans les musiques traditionnelles africaines et son rapport au jazz M Chemillier, J Pouchelon, J André, J Nika Anthropologie et sociétés 38 (1), 105-137, 2014 | 22* | 2014 |
| Computer-aided composition of musical processes D Bouche, J Nika, A Chechile, J Bresson Journal of New Music Research 46 (1), 3-14, 2017 | 21 | 2017 |
| Guided improvisation as dynamic calls to an offline model J Nika, D Bouche, J Bresson, M Chemillier, G Assayag Sound and Music Computing conference (SMC), 2015 | 20 | 2015 |
| Planning Human-Computer Improvisation J Nika, J Echeveste, M Chemillier, JL Giavitto International Computer Music Conference (ICMC), 330, 2014 | 18 | 2014 |
| Guiding human-computer music improvisation: introducing authoring and control with temporal scenarios J Nika Université Pierre et Marie Curie Paris 6 - Ircam, 2016 | 16 | 2016 |
| With, against, or without? Familiarity and copresence increase interactional dissensus and relational plasticity in freely improvising duos. A Golvet, L Goupil, P Saint-Germier, B Matuszewski, G Assayag, J Nika, ... Psychology of Aesthetics, Creativity, and the Arts, 2021 | 12 | 2021 |
| Combining real-time extraction and prediction of musical chord progressions for creative applications T Carsault, J Nika, P Esling, G Assayag Electronics 10 (21), 2634, 2021 | 11 | 2021 |
| «Étrangement musical»: les jugements de goût de Bernard Lubat à propos du logiciel d’improvisation ImproteK M Chemillier, J Nika Cahiers d’ethnomusicologie. Anciennement Cahiers de musiques traditionnelles …, 2015 | 10 | 2015 |
| Improvisation musicale homme-machine guidée par un scénario temporel J Nika, M Chemillier Revue des Sciences et Technologies de l'Information-Série TSI: Technique et …, 2015 | 7 | 2015 |
| ImproteK: intégrer des contrôles harmoniques pour l'improvisation musicale dans la filiation d'OMax J Nika, M Chemillier Journées d'Informatique Musicale (JIM), 147-155, 2012 | 7 | 2012 |
| Composing Structured Music Generation Processes with Creative Agents J Nika, J Bresson Proceedings of the 2nd Joint Conference on AI Music Creativity, AIMC 2021 …, 2021 | 5 | 2021 |
| Multi-Step Chord Sequence Prediction Based on Aggregated Multi-Scale Encoder-Decoder Networks T Carsault, A McLeod, P Esling, J Nika, E Nakamura, K Yoshii 2019 IEEE 29th International Workshop on Machine Learning for Signal …, 2019 | 5 | 2019 |
| Generating equivalent chord progressions to enrich guided improvisation: application to Rhythm Changes K Déguernel, J Nika, E Vincent, G Assayag SMC 2017-14th Sound and Music Computing Conference, 8, 2017 | 5 | 2017 |
| Dicy2 for Max J Nika, A Muller, J Borg, G Assayag, M Ostrowski Ircam UMR STMS 9912, 2022 | 2 | 2022 |
| Learning of Hierarchical Temporal Structures for Guided Improvisation D Ken, E Vincent Computer Music Journal 43 (2-3), 109-124, 2020 | 2 | 2020 |
| Edith Piaf, Billie Holiday, and Elisabeth Schwarzkopf Making Music Together G Bloch, J Nika Exploring Transdisciplinarity in Art and Sciences, 275-299, 2018 | 2 | 2018 |
Gérard AssayagIRCAM在 ircam.fr 的电子邮件经过验证
