| Analyzing talk and text II: Thematic analysis C Herzog, C Handke, E Hitters The Palgrave handbook of methods for media policy research, 385-401, 2019 | 220 | 2019 |
| The creation and management of cultural clusters E Hitters, G Richards Creativity and innovation management 11 (4), 234-247, 2002 | 173 | 2002 |
| The social and cultural values of live music: Sustaining urban live music ecologies A Van der Hoeven, E Hitters Cities 90, 263-271, 2019 | 132 | 2019 |
| Passion inspires: Motivations of creative entrepreneurs in creative business centres in the Netherlands PV Bhansing, E Hitters, Y Wijngaarden The Journal of Entrepreneurship 27 (1), 1-24, 2018 | 93 | 2018 |
| Tune in, fade out: Music companies and the classification of domestic music products in the Netherlands E Hitters, M Van de Kamp Poetics 38 (5), 461-480, 2010 | 62 | 2010 |
| Cultivating fertile learning grounds: Collegiality, tacit knowledge and innovation in creative co-working spaces Y Wijngaarden, E Hitters, PV Bhansing Geoforum 109, 86-94, 2020 | 61 | 2020 |
| ‘Innovation is a dirty word’: contesting innovation in the creative industries Y Wijngaarden, E Hitters, P V. Bhansing International Journal of Cultural Policy 25 (3), 392-405, 2019 | 59 | 2019 |
| Porto and Rotterdam as European Capitals of Culture: Toward the festivalization of urban cultural policy E Hitters Cultural tourism: Global and local perspectives, 281-301, 2007 | 59 | 2007 |
| The social and political construction of a European cultural capital: Rotterdam 2001 E Hitters International Journal of Cultural Policy 6 (2), 183-199, 2000 | 52 | 2000 |
| Digital media entrepreneurship: Implications for strategic identity work and knowledge sharing of beginning entrepreneurs SO Horst, E Hitters Nordic Journal of Media Management 1 (1), 23-44, 2020 | 42 | 2020 |
| Rotterdam and Porto, Cultural Capitals 2001: Visitor Research G Richards, E Hitters, C Fernandes Atlas, 2002 | 41 | 2002 |
| Creative industries as milieux of innovation: the Westergasfabriek, Amsterdam. C Bonink, E Hitters Cultural attractions and European tourism, 227-240, 2001 | 40 | 2001 |
| Cultural quarters to leisure zones: the role of partnership in developing the cultural industries E Hitters, G Richards Creativity and Innovation Management 11 (4), 234-247, 2002 | 34 | 2002 |
| The working life of musicians: mapping the work activities and values of early-career pop musicians in the Dutch music industry R Everts, E Hitters, P Berkers Creative Industries Journal 15 (1), 97-117, 2022 | 31 | 2022 |
| The spatial value of live music: Performing,(re) developing and narrating urban spaces A Van der Hoeven, E Hitters Geoforum 117, 154-164, 2020 | 25 | 2020 |
| The impact of festivalization on the Dutch live music action field: a thematic analysis M Mulder, E Hitters, P Rutten Creative Industries Journal 14 (3), 245-268, 2021 | 24 | 2021 |
| Close to the ‘local cool’: Creative place reputation in Dutch ‘ordinary cities’ Y Wijngaarden, E Hitters, PV Bhansing Creative Industries Journal 12 (1), 86-104, 2019 | 24 | 2019 |
| Thematic analysis of policy data C Herzog, C Handke, E Hitters | 23 | 2017 |
| Patronen van patronage: mecenaat, protectoraat en markt in de kunstwereld E Hitters | 23 | 1996 |
| The business of DIY. Characteristics, motives and ideologies of micro-independent record labels R Drijver, E Hitters Cadernos de arte e antropologia 6 (1), 17-35, 2017 | 22 | 2017 |
