Xenakis J Harley Taylor & Francis, 2004 | 270 | 2004 |
The electroacoustic music of Iannis Xenakis J Harley Computer Music Journal 26 (1), 33-57, 2002 | 87 | 2002 |
Generative processes in algorithmic composition: Chaos and music J Harley Leonardo, 221-224, 1995 | 38 | 1995 |
Algorithms adapted from chaos theory: Compositional considerations J Harley Proceedings of the International Computer Music Conference, 209-209, 1994 | 13 | 1994 |
Formal analysis of the music of Iannis Xenakis by means of sonic events: recent orchestral works J Harley Présences de Iannis Xenakis, 37-52, 2001 | 10 | 2001 |
Computational approaches to composition of notated instrumental music: Xenakis and the other pioneers J Harley | 9 | 2011 |
Iannis xenakis in conversation: 30 may 1993 J Harley Taylor & Francis Group 21 (2-3), 11-20, 2002 | 9 | 2002 |
Art of immersive soundscapes P Minevich, E Waterman, J Harley (No Title), 2013 | 8 | 2013 |
Considerations of Symphonic Form in the Music of Lutosławski J Harley Lutosławski Studies, 163-93, 2001 | 7 | 2001 |
The creative compositional legacy of Iannis Xenakis J Harley A. Georgaki, M. Solomos (éd.), International Symposium Iannis Xenakis …, 2005 | 6 | 2005 |
Iannis Xenakis: Kraanerg J Harley Ashgate Publishing, Ltd., 2015 | 5 | 2015 |
Orchestral Sources in the Electroacoustic Music of Iannis Xenakis: From Polytope de Montréal to Kraanerg and Hibiki-Hana-Ma J Harley Proceedings of the International Symposium Xenakis, Paris, 2012 | 5 | 2012 |
Nonlinear Mosaic Form in Kraanerg by Iannis Xenakis J Harley actes du colloque Xenakis International symposium, in EXARCHOS Dimitris (ed …, 2011 | 5 | 2011 |
Persepolis J Harley Computer Music Journal 25 (1), 92-93, 2001 | 5* | 2001 |
Still rich & strange J Harley The Musical Times 137 (1845), 9-15, 1996 | 5 | 1996 |
Charting the Extremes: Performance Issues in the Music of Henryk Górecki J Harley Tempo, 2-8, 2000 | 4 | 2000 |
The String Quartets of Iannis Xenakis J Harley Tempo, 2-10, 1998 | 4 | 1998 |
Triumphs of Modernity: Xenakis' Kraanerg at Canada's National Arts Centre J Harley, MA Harley Musicworks 67, 24-31, 1997 | 4 | 1997 |
Sonic and Parametrical Entities in Tetras: An Analytical Approach to the Music of Iannis Xenakis J Harley Canadian University Music Review 16 (2), 72-99, 1996 | 4 | 1996 |
Révolutions xenakis M Solomos Philharmonie de Paris/Editions de l'Oeil, 2022 | 3 | 2022 |