| (Re)membering the nation's forgotten past: Portrayals of Gukurahundi in Zimbabwean Literature G Ncube, G Siziba Journal of Commonwealth Literatures, 1-17, 2015 | 43 | 2015 |
| Mugabe’s fall from grace: Satire and fictional narratives as silent forms of resistance in/on Zimbabwe G Siziba, G Ncube Social Dynamics 41 (3), 516-539, 2015 | 41 | 2015 |
| Eternal mothers, whores or witches: The oddities of being a woman in politics in Zimbabwe G Ncube Agenda 34 (4), 25-33, 2020 | 33 | 2020 |
| Compelled to Perform in the ‘Oppressor’s’ Language? Ndebele Performing Artists and Zimbabwe’s Shona-Centric Habitus G Ncube, G Siziba Journal of Southern African Studies 43 (4), 825-836, 2017 | 26 | 2017 |
| “The festering finger?” Reimagining Minority Sexuality in Tendai Huchu's The Hairdresser of Harare and Abdellah Taïa's Une Mélancolie Arabe G Ncube Current Writing: Text and Reception in Southern Africa 25 (1), 66-75, 2013 | 25 | 2013 |
| Sexual/textual politics: rethinking gender and sexuality in gay Moroccan literature G Ncube Writers and Social Thought in Africa, 78-92, 2017 | 24 | 2017 |
| Discrimination against female politicians on social media: An analysis of tweets in the run-up to the July 2018 Harmonised Elections in Zimbabwe G Ncube, G Yemurai Social Media and Elections in Africa, Volume 2: Challenges and Opportunities …, 2020 | 20 | 2020 |
| Renegotiating the Marginality of the Maghreb in Queer African Studies G Ncube College Literature 45 (4), 623-631, 2018 | 17 | 2018 |
| Of dirt, disinfection and purgation: Discursive construction of state violence in selected contemporary Zimbabwean literature G Ncube Tydskrif vir letterkunde 55 (1), 41-53, 2018 | 17 | 2018 |
| Writing queer desire in the language of the ‘other’: Abdellah Taïa and Rachid O G Ncube Rupkatha Journal. On Interdisciplinary Studies in Humanities 6 (1), 87-96, 2014 | 16 | 2014 |
| Deconstructing the closet: A sociological reading of Tendai Huchu’s novel, The Hairdresser of Harare G Ncube South African Review of Sociology 47 (3), 8-24, 2016 | 14 | 2016 |
| “Human Beings Have a Hard Time Relating to That Which Does Not Resemble Them”: Queering Normativity in Nnedi Okorafor’s Lagoon G Ncube Scrutiny2 25 (2), 69-81, 2020 | 13 | 2020 |
| Repenser la construction transméditerranéenne de la sexualité «minoritaire»: Rachid O., Abdellah Taïa et Eyet-Chékib Djaziri G Ncube DIversité REcherches et terrains, 2014 | 13 | 2014 |
| Queer Bodies in African Films G Ncube | 12 | 2022 |
| La sexualité queer au Maghreb à travers la littérature G Ncube L'Harmattan, 2018 | 12 | 2018 |
| The Zimbabwean Crisis After Mugabe: Multidisciplinary Perspectives T Mangena, O Nyambi, G Ncube Routledge, 2021 | 9 | 2021 |
| To be black, Christian and gay: Nakhane Touré's Brave Confusion G Ncube Muziki 12 (2), 37-52, 2015 | 9 | 2015 |
| Political satire and the mediation of the Zimbabwean crisis in the era of the “new dispensation”: The case of Magamba TV MJ Msimanga, G Ncube, P Mkwananzi The politics of laughter in the social media age: Perspectives from the …, 2021 | 8 | 2021 |
| Troping boyishness, effeminacy and masculine queer virginity: Abdellah Taïa and Eyet-Chékib Djaziri G Ncube Virgin Envy: The Cultural (In)Significance of the Hymen, 145-169, 2016 | 8 | 2016 |
| Knowledge, Power and Being: Literature and the Creation of an Archive of “Marginal” Sexualities in the Maghreb G Ncube Journal of Literary Studies 32 (4), 1-16, 2016 | 7 | 2016 |
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