| ‘We love the bands and we want to keep them on the walls’: gig posters as heritage-as-praxis in music venues C Strong, S Whiting Continuum 32 (2), 151-161, 2018 | 23 | 2018 |
| The value of small live music venues: Alternative forms of capital and niche spaces of cultural production S Whiting Cultural Sociology 15 (4), 558-578, 2021 | 20 | 2021 |
| Access, place and Australian live music S Whiting, D Carter M/C Journal 19 (3), 2016 | 19 | 2016 |
| 'You're not strangers if you like the same band': small venues, music scenes, and the live music ecology S Whiting RMIT University, 2019 | 18 | 2019 |
| 'Creative City'RIP? S Whiting, T Barnett, J O'Connor M/C Journal 25 (3), 2022 | 12 | 2022 |
| True kvlt? The cultural capital of “Nordicness” in extreme metal C Hoad, S Whiting M/C Journal 20 (6), 2017 | 12 | 2017 |
| “If there isn’t skyscrapers, don’t play there!” Rock music scenes, regional touring, and music policy in Australia I Rogers, S Whiting Popular Music and Society 43 (4), 450-460, 2020 | 11 | 2020 |
| ‘We’re Just Normal Dudes’: Hegemonic Masculinity, Australian Identity, and Parkway Drive S Whiting, P Klimentou, I Rogers Australian Metal Music: Identities, Scenes, and Cultures, 55-70, 2019 | 9 | 2019 |
| An interview with Rebekah Duke: Melbourne's inner-northern live music venues and social scenes S Whiting Perfect Beat 16 (1/2), 121, 2015 | 9 | 2015 |
| The impact of COVID-19 on music venues in regional South Australia: A case study R Roberts, S Whiting Perfect Beat 21 (1), 25-32, 2021 | 4 | 2021 |
| Small Venues: Precarity, Vibrancy and Live Music S Whiting Bloomsbury Publishing USA, 2023 | 3 | 2023 |
| Critical Introduction: What Is ‘Australian’About Australian Heavy Metal? C Hoad Australian Metal Music: Identities, Scenes, and Cultures, 1-15, 2019 | 3 | 2019 |
| The Economic and Cultural Value of Live Music in Australia 2014 S Whiting University of Tasmania, Live Music Office, Creative City Sydney, City of …, 2015 | 1 | 2015 |
| Small Venues: Precarity, Vibrancy and Live Music CR Cooling, S Whiting POPULAR MUSIC AND SOCIETY, 2024 | | 2024 |
| “Before They Come and Pull the Place Apart” 1: Venue Loss and Heritage Value in Melbourne's Music Scenes C Strong, S Whiting Interrogating Popular Music and the City, 163-179, 2024 | | 2024 |
| Small Venues S Whiting Bloomsbury Publishing, 2023 | | 2023 |
| South Australian Music Industry Health Check: Live Music Venues and the Impact of COVID-19 in 2021 R Roberts, S Whiting https://doi.org/10.25954/np3e-q170, 2023 | | 2023 |
| The live gig S Whiting The Bloomsbury Handbook of Popular Music, Space and Place, 241, 2022 | | 2022 |
| Access, Place and Australian Live Music D Carter, S Whiting http://journal. media-culture. org. au/index. php/mcjournal/article/view/1085, 2016 | | 2016 |
| An interview with Rebekah Duke S Whiting | | 2015 |
Catherine StrongRMIT Unversity在 rmit.edu.au 的电子邮件经过验证
