| Good-bye kitty, hello war: the tactics of spectacle and new youth movements in urban Japan S Hayashi, A McKnight positions: east asia cultures critique 13 (1), 87-113, 2005 | 55 | 2005 |
| Frenchness and transformation in Japanese subculture, 1972–2004 A McKnight Mechademia 5 (1), 118-137, 2010 | 27 | 2010 |
| Nakagami, Japan: Buraku and the Writing of Ethnicity A McKnight University of Minnesota Press, 0 | 27* | |
| The Wages of Affluence: The High-Rise Housewife in Japanese Sex Films A McKnight Camera Obscura: Feminism, Culture, and Media Studies 27 (1), 1-29, 2012 | 9 | 2012 |
| Doing violence to buraku history: J. Mark Ramseyer’s dangerous inventions T Amos, M Ehlers, A McKnight, D Ambaras, I Neary The Asia-Pacific Journal/Japan Focus 19 (9), e5597, 2021 | 7 | 2021 |
| Princesses and revolution: the European interfaces to Japanese subculture, from the 1970s to the millennium A McKnight Minikomi 75, 28-37, 2008 | 7 | 2008 |
| Imperial Syntax: Nakagami Kenji's" Monogatari" and Modern Japanese Literature as Ethnography A McKnight Discourse 28 (1), 142-165, 2006 | 5 | 2006 |
| Safety last: risk, interactivity and video activism in contemporary Tokyo A McKnight New Cinemas: Journal of Contemporary Film 3 (3), 169-185, 2005 | | 2005 |
| Ethnographies of modernity: Nakagami Kenji's counter-history of national literature (1968--1983)(Japan) AK McKnight | | 2003 |
| Ethnographies of modernity: Nakagami Kenji's counter-history of national literature (1968–1983) AK McKnight University of California, Berkeley, 2001 | | 2001 |
