The perceptual relevance of balance, evenness, and entropy in musical rhythms AJ Milne, SA Herff Cognition 203, 104233, 2020 | 50 | 2020 |
Exploring the space of perfectly balanced rhythms and scales AJ Milne, D Bulger, SA Herff Journal of Mathematics and Music 11 (2-3), 101-133, 2017 | 39 | 2017 |
Music influences vividness and content of imagined journeys in a directed visual imagery task SA Herff, G Cecchetti, L Taruffi, K Déguernel Scientific Reports 11 (1), 15990, 2021 | 29 | 2021 |
Perfect balance: A novel principle for the construction of musical scales and meters AJ Milne, D Bulger, SA Herff, WA Sethares International Conference on Mathematics and Computation in Music, 97-108, 2015 | 27 | 2015 |
Negotiating between individual and joint goals in ensemble musical performance J MacRitchie, SA Herff, A Procopio, PE Keller Quarterly Journal of Experimental Psychology 71 (7), 1535-1551, 2018 | 26 | 2018 |
Resilient memory for melodies: The number of intervening melodies does not influence novel melody recognition SA Herff, KN Olsen, RT Dean Quarterly Journal of Experimental Psychology 71 (5), 1150-1171, 2018 | 26 | 2018 |
XronoMorph: Algorithmic Generation of Perfectly Balanced and Well-Formed Rhythms. AJ Milne, SA Herff, DW Bulger, WA Sethares, RT Dean NIME, 388-393, 2016 | 25 | 2016 |
Prefrontal High Gamma in ECoG tags periodicity of musical rhythms in perception and imagination SA Herff, C Herff, AJ Milne, GD Johnson, JJ Shih, DJ Krusienski Eneuro 7 (4), 2020 | 23 | 2020 |
Perceived emotions of harmonic cadences EA Smit, FA Dobrowohl, NK Schaal, AJ Milne, SA Herff Music & Science 3, 2059204320938635, 2020 | 22 | 2020 |
Memory for melodies in unfamiliar tuning systems: Investigating effects of recency and number of intervening items SA Herff, KN Olsen, RT Dean, J Prince Quarterly Journal of Experimental Psychology 71 (6), 1367-1381, 2018 | 22 | 2018 |
The role of divided attention and expertise in melody recognition SA Herff, D Czernochowski Musicae Scientiae 23 (1), 69-86, 2019 | 19 | 2019 |
Interference in memory for pitch-only and rhythm-only sequences SA Herff, KN Olsen, J Prince, RT Dean Musicae Scientiae 22 (3), 344-361, 2018 | 16 | 2018 |
Expertise-related differences in wrist muscle co-contraction in drummers S Beveridge, SA Herff, B Buck, GB Madden, HC Jabusch Frontiers in psychology 11, 1360, 2020 | 15 | 2020 |
Age-dependent statistical learning trajectories reveal differences in information weighting. SA Herff, S Zhen, R Yu, KR Agres Psychology and Aging 35 (8), 1090, 2020 | 14 | 2020 |
Hierarchical syntactic structure predicts listeners’ sequence completion in music SA Herff, D Harasim, G Cecchetti, C Finkensiep, MA Rohrmeier Proceedings of the Annual Meeting of the Cognitive Science Society 43 (43), 2021 | 13 | 2021 |
Musical syntactic structure improves memory for melody: Evidence from the processing of ambiguous melodies G Cecchetti, SA Herff, MA Rohrmeier Proceedings of the Annual Meeting of the Cognitive Science Society 43 (43), 2021 | 10 | 2021 |
Perfect balance: A novel organizational principle for musical scales and meters AJ Milne, D Bulger, SA Herff, WA Sethares Mathematics and Computation in Music 9110, 97-108, 2015 | 10 | 2015 |
Investigating cumulative disruptive interference in memory for melodies, words, and pictures SA Herff, KN Olsen, A Anic, NK Schaal New Ideas in Psychology 55, 68-77, 2019 | 9 | 2019 |
Interrater agreement in memory for melody as a measure of listeners’ similarity in music perception. SA Herff, RT Dean, KN Olsen Psychomusicology: Music, Mind, and Brain 27 (4), 297, 2017 | 9 | 2017 |
Eye closure interacts with music to influence vividness and content of directed imagery SA Herff, S McConnell, JL Ji, JB Prince Music & Science 5, 20592043221142711, 2022 | 8 | 2022 |