| ‘Being an academic is not a 9–5 job’: long working hours and the ‘ideal worker’in UK academia K Sang, A Powell, R Finkel, J Richards Labour & Industry: a journal of the social and economic relations of work 25 …, 2015 | 117 | 2015 |
| " Dancing around the Ring of Fire": Social Capital, Tourism Resistance, and Gender Dichotomies at Up Helly Aa in Lerwick, Shetland R Finkel Event Management 14 (4), 275-285, 2010 | 90 | 2010 |
| A picture of the contemporary combined arts festival landscape R Finkel Cultural Trends 18 (1), 3-21, 2009 | 78 | 2009 |
| Multispecies leisure: Human-animal interactions in leisure landscapes P Danby, K Dashper, R Finkel Leisure Studies 38 (3), 291-302, 2019 | 68 | 2019 |
| Hospitality as a human phenomenon: Host–guest relationships in a post-conflict setting S Causevic, P Lynch Tourism and Hospitality Planning & Development 6 (2), 121-132, 2009 | 67 | 2009 |
| Events and community development. A Jepson, A Clarke Research themes for events, 6-17, 2013 | 59* | 2013 |
| Cultural festivals and the city R Finkel, L Platt Geography Compass 14 (9), e12498, 2020 | 56 | 2020 |
| Sex trafficking and the Vancouver Winter Olympic Games: Perceptions and preventative measures CM Matheson, R Finkel Tourism Management 36, 613-628, 2013 | 56 | 2013 |
| Diversifying the creative: Creative work, creative industries, creative identities R Finkel, D Jones, K Sang, D Stoyanova Russell Organization 24 (3), 281-288, 2017 | 53 | 2017 |
| The ‘dirty downside’of global sporting events: Focus on human trafficking for sexual exploitation R Finkel, ML Finkel Public Health 129 (1), 17-22, 2015 | 49 | 2015 |
| Accessibility, inclusion, and diversity in critical event studies R Finkel, B Sharp, M Sweeney Routledge, 2019 | 42 | 2019 |
| Tensions between ambition and reality in UK combined arts festival programming: Case study of the Lichfield Festival R Finkel International Journal of Event Management Research, 2006 | 39 | 2006 |
| Re-imaging arts festivals through a corporate lens: A case study of business sponsorship at the Henley Festival R Finkel Managing Leisure 15 (4), 237-250, 2010 | 32 | 2010 |
| “Doing gender” in critical event studies: A dual agenda for research K Dashper, R Finkel International Journal of event and festival management 12 (1), 70-84, 2021 | 29 | 2021 |
| Accessibility, diversity, and inclusion in the UK meetings industry K Dashper, R Finkel Journal of Convention & Event Tourism 21 (4), 283-307, 2020 | 26 | 2020 |
| Events and social capital. L Misener Research themes for events, 18-30, 2013 | 24 | 2013 |
| Legitimizing leisure experiences as emotional work: A post‐humanist approach to gendered equine encounters R Finkel, P Danby Gender, Work & Organization 26 (3), 377-391, 2019 | 23 | 2019 |
| The material culture of music festival fandoms L Barrière, R Finkel European Journal of Cultural Studies 25 (2), 479-497, 2022 | 19 | 2022 |
| Introduction to special issue on social justice & events-related policy R Finkel Journal of Policy Research in Tourism, Leisure and Events 7 (3), 217-219, 2015 | 18 | 2015 |
| Participatory research: Case study of a community event R Finkel, K Sang Critical event studies: Approaches to research, 195-211, 2016 | 17 | 2016 |
Katherine DashperProfessor, School of Events, Tourism and Hospitality Management, Leeds Beckett University在 leedsbeckett.ac.uk 的电子邮件经过验证
