| ‘I always remember that moment’: peak music experiences as epiphanies B Green Sociology 50 (2), 333-348, 2016 | 85 | 2016 |
| ‘It’s turned me from a professional to a “bedroom DJ” once again’: COVID-19 and new forms of inequality for young music-makers F Howard, A Bennett, B Green, P Guerra, S Sousa, E Sofija Young 29 (4), 417-432, 2021 | 53 | 2021 |
| Skateboarding and the ‘Tired Generation’: Ageing in Youth Cultures and Lifestyle Sports I WIlling, A Bennett, M Piispa, B Green Sociology, 2018 | 53 | 2018 |
| The ‘boy scouts’ and ‘bad boys’ of skateboarding: a thematic analysis of the bones brigade I Willing, B Green, A Pavlidis Sport in Society 23 (5), 832-846, 2020 | 33 | 2020 |
| Whose riot? Collective memory of an iconic event in a local music scene B Green Journal of sociology 55 (1), 144-160, 2019 | 15 | 2019 |
| Researching regional and rural music scenes: Toward a critical understanding of an under-theorized issue A Bennett, B Green, D Cashman, N Lewandowski Popular Music and Society 43 (4), 367-377, 2020 | 14 | 2020 |
| Gateways and corridors: Cultural and spatial challenges and opportunities for live music on Australia's Gold Coast B Green, A Bennett City, Culture and Society, 2018 | 12 | 2018 |
| Reconciling Neo-Tribes and Individualism: The Transcendence and Construction of Self Through Peak Music Experiences B Green Neo-Tribes: Consumption, Leisure and Tourism, 169-184, 2018 | 9 | 2018 |
| Having the sceptre: Wu-Tang Clan and the aura of music in the age of digital reproduction B Green Popular Music 36 (3), 427-440, 2017 | 9 | 2017 |
| Splendour XR: Place, experience and liveness at a virtual music festival B Green Leisure Sciences, 1-18, 2023 | 8 | 2023 |
| ‘Become what you are’: subcultural identity and ‘insider teaching’in youth studies B Green, C Feldman-Barrett Teaching in Higher Education 27 (1), 39-53, 2022 | 8 | 2022 |
| Peak music experiences: A new perspective on popular music, identity and scenes B Green Routledge, 2021 | 7 | 2021 |
| How live is live?: COVID-19, live music, and online performances B Green, A Bennett, P Guerra, F Howard, A Oliveira, S Sousa, E Sofija Remaking Culture and Music Spaces, 34-46, 2022 | 6 | 2022 |
| No festivals, no schoolies: young people are missing out on vital rites of passage during COVID B Green, A Bennett The Conversation 6, 2020 | 6 | 2020 |
| Popular music in mediated and collective memory B Green The Routledge Companion to Popular Music History and Heritage, 208-216, 2018 | 4 | 2018 |
| Peak music experiences: A new perspective on popular music, identity and scenes B Green Griffith University, 2017 | 3 | 2017 |
| 5.5.“This is it!”: peak music experiences in the Brisbane indie music scene B Green Keep it Simple, Make it Fast! An approach to underground music scenes 1, 373, 2015 | 3* | 2015 |
| Ageing in DIY and alternative cultures: Exploring forms of masculinity and adult play in Jackass forever I Willing, A Bennett, H Thorpe, B Green DIY, Alternative Cultures & Society 2 (1), 32-45, 2024 | 2 | 2024 |
| Crisis, what’sa crisis? Some methodological reflections on evaluating the impact of Covid-19 on Australian arts and culture J Meyrick, B Green, D Tolmie, J Frank, G Cooper Journal for Cultural Research 27 (2), 189-209, 2023 | 2 | 2023 |
| Searching for “Australia’s Woodstock”: The Forgotten Australian Rock Festivals of 1970–1975 C Strong, A Bennett, B Green, I Rogers Popular Music and Society 46 (2), 134-150, 2023 | 2 | 2023 |
Andy BennettProfessor of Cultural Sociology, Griffith University在 griffith.edu.au 的电子邮件经过验证
