| Dancing in Place S Hutchinson Salsa World: A Global Dance in Local Contexts, 1, 2013 | 131* | 2013 |
| Music and Displacement: Diasporas, Mobilities, and Dislocations in Europe and Beyond E Levi, F Scheding Scarecrow Press, 2010 | 77 | 2010 |
| From quebradita to duranguense: dance in Mexican American youth culture S Hutchinson University of Arizona Press, 2007 | 73 | 2007 |
| Tigers of a Different Stripe: Performing Gender in Dominican Music S Hutchinson University of Chicago Press, 2016 | 60 | 2016 |
| Salsa world: A global dance in local contexts S Hutchinson Temple University Press, 2013 | 56 | 2013 |
| Mambo on 2: The birth of a new form of dance in New York City S Hutchinson Centro Journal 16 (2), 108-137, 2004 | 49 | 2004 |
| The Ballet Folklórico de México and the construction of the Mexican nation through dance S Hutchinson Dancing Across Borders: Danzas y Bailes Mexicanos, 206-225, 2009 | 39 | 2009 |
| Típico, folklórico or popular? Musical categories, place, and identity in a transnational listening community S Hutchinson Popular Music 30 (2), 245-262, 2011 | 29 | 2011 |
| Típico, folklórico, or popular: Musical categories, place, and identity in a transnational listening community S Hutchinson Popular Music 30, 2, 2011 | 29 | 2011 |
| Merengue Típico in Santiago and New York: Transnational regionalism in a neo-traditional dominican music S Hutchinson Ethnomusicology 50 (1), 37-72, 2006 | 26 | 2006 |
| Focus: Music of the Caribbean S Hutchinson Routledge, 2019 | 14 | 2019 |
| “A limp with rhythm”: Convergent Choreographies in Black Atlantic time S Hutchinson Yearbook for Traditional Music 44, 87-108, 2012 | 14 | 2012 |
| Breaking Borders/Quebrando fronteras: Dancing in the Borderscape S Hutchinson Transnational Encounters: Music and Performance at the US-Mexico Border, 41-66, 2011 | 13 | 2011 |
| Merengue típico in transnational Dominican communities: Gender, geography, migration and memory in a traditional music S Hutchinson New York University, 2008 | 13 | 2008 |
| No ma'se oye el fuinfuán: The noisy accordion in the Dominican Republic S Hutchinson The Accordion in the Americas: Klezmer, Polka, Tango, Zydeco, and More!, 249-267, 2012 | 8 | 2012 |
| Becoming the Tíguera: The Female Accordionist in Dominican Merengue Típico S Hutchinson World of music 50 (3), 37-56, 2008 | 8 | 2008 |
| Beyond the Binary of Choreomusicology MM Hood, S Hutchinson the world of music 9 (2), 69-88, 2020 | 6 | 2020 |
| Asian Fury: A Tale of Race, Rock, and Air Guitar S Hutchinson Ethnomusicology 60 (3), 411-433, 2016 | 6 | 2016 |
| Entangled Rhythms on a Conflicted Island: Digging up the Buried Histories of Dominican Folk Music S Hutchinson Resonancias 20 (39), 151, 2016 | 6 | 2016 |
| What’s in a number?: From local nostalgia to global marketability in New York’s on-2 Salsa S Hutchinson Salsa World: A Global Dance in Local Contexts, 26-45, 2013 | 6 | 2013 |
