Dan Overholt 个人学术档案 - 学术资源搜索

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	总计	2019 年至今
引用	960	376
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Thomas MoeslundProfessor, Aalborg University在 create.aau.dk 的电子邮件经过验证
Steven GelineckMoodagent - Former Assistant Professor, Medialogy, Aalborg University Copenhagen在 create.aau.dk 的电子邮件经过验证
Winslow BurlesonProfessor, University of Arizona在 arizona.edu 的电子邮件经过验证
Graham WakefieldAssociate Professor, Canada Research Chair, Computational Arts, School of Arts Media Performance在 yorku.ca 的电子邮件经过验证
Camilla Nørgaard Jensen, PhDAffiliate Faculty, Arizona State University在 asu.edu 的电子邮件经过验证
Rob HamiltonAssociate Professor, Rensselaer Polytechnic Institute在 rpi.edu 的电子邮件经过验证
Cumhur ErkutAssociate Professor, Aalborg University Copenhagen在 create.aau.dk 的电子邮件经过验证
Bob L. T. SturmAssociate Professor, KTH Royal Institute of Technology, Stockholm在 kth.se 的电子邮件经过验证
Byron LaheyPhD, Arizona State University在 asu.edu 的电子邮件经过验证
Alexander Refsum JenseniusProfessor of Music Technology, University of Oslo在 imv.uio.no 的电子邮件经过验证
Sofia DahlAssociate Professor in Music perception and Cognition, Aalborg University在 create.aau.dk 的电子邮件经过验证
Hendrik PurwinsCenter of Excellence for LLMs and GenAI, Accenture在 accenture.com 的电子邮件经过验证
Jim TorresenProfessor University of Oslo在 ifi.uio.no 的电子邮件经过验证
Georgios A TriantafyllidisAssociate Professor, AAU-Copenhagen在 create.aau.dk 的电子邮件经过验证
Rolf NordahlAssociate Professor在 create.aau.dk 的电子邮件经过验证
Matthew TurkPresident, TTIC在 ttic.edu 的电子邮件经过验证
Stefan ArisonaEsri R&D Center Zurich在 arisona.ch 的电子邮件经过验证
Tobias HöllererProfessor, Computer Science, UC Santa Barbara在 cs.ucsb.edu 的电子邮件经过验证
Amalia de GötzenAssociate professor Aalborg University Copenhagen在 create.aau.dk 的电子邮件经过验证
Adrian FreedUC Berkeley在 adrianfreed.com 的电子邮件经过验证

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Dan Overholt

Aalborg University Copenhagen

在 create.aau.dk 的电子邮件经过验证

sound_and_music_computing new_interfaces_for_musical_expression sonic_interaction_design


标题按引用次数排序按年份排序按标题排序	引用次数引用次数	年份
Advancements in actuated musical instruments D Overholt, E Berdahl, R Hamilton Organised Sound 16 (2), 154-165, 2011	80	2011
The overtone violin D Overholt Proceedings of the 2005 conference on New interfaces for musical expression …, 2005	80	2005
The musical interface technology design space D Overholt Organised Sound 14 (2), 217-226, 2009	64	2009
The overtone fiddle: an actuated acoustic instrument D Overholt New Interfaces for Musical Expression, 4-7, 2011	49	2011
The Prospects of Musical Instruments For People with Physical Disabilities. JV Larsen, D Overholt, TB Moeslund NIME 16, 327-331, 2016	47	2016
The Allobrain: An interactive, stereographic, 3D audio, immersive virtual world J Thompson, JA Kuchera-Morin, M Novak, D Overholt, L Putnam, ... International Journal of Human-Computer Studies 67 (11), 934-946, 2009	46	2009
The MATRIX: a novel controller for musical expression D Overholt arXiv preprint arXiv:2010.01577, 2020	42	2020
A multimodal system for gesture recognition in interactive music performance D Overholt, J Thompson, L Putnam, B Bell, J Kleban, B Sturm, ... Computer Music Journal 33 (4), 69-82, 2009	38	2009
Musical interaction design with the create usb interface D Overholt Proc. ICMC2006, International Computer Music Conference, New Orleans, 2006	36	2006
The overtone violin: A new computer music instrument D Overholt ICMC, 2005	27	2005
Recent developments in violin-related digital musical instruments: where are we and where are we going? C Poepel, D Overholt Proceedings of the 2006 conference on New interfaces for musical expression …, 2006	25	2006
Self-resonating vibrotactile feedback instruments\|\|: Making, playing, conceptualising:\|\| A Eldridge, C Kiefer, D Overholt, H Ulfarsson PubPub, 2021	21	2021
HSP v2: Haptic signal processing with extensions for physical modeling E Berdahl, A Kontogeorgakopoulos, D Overholt 5th International Workshop on Haptic and Audio Interaction Design-HAID …, 2010	21	2010
The multimodal music stand B Bell, J Kleban, D Overholt, L Putnam, J Thompson, JA Kuchera-Morin Proceedings of the 7th international conference on New interfaces for …, 2007	20	2007
Towards an interface for music mixing based on smart tangibles and multitouch S Gelineck, D Overholt, M Büchert, J Andersen NIME 2013, 2013	19	2013
The actuated guitar: A platform enabling alternative interaction methods JV Larsen, D Overholt, TB Moeslund SMAC stockholm music acoustics conference 2013 SMC sound and music computing …, 2013	18	2013
A faust architecture for the ESP32 microcontroller R Michon, D Overholt, S Letz, Y Orlarey, D Fober, C Dumitrascu Sound and Music Computing Conference (SMC-20), 2020	17	2020
Haptic and visual feedback in 3D audio mixing interfaces S Gelineck, D Overholt Proceedings of the Audio Mostly 2015 on Interaction With Sound, 1-6, 2015	17	2015
Separating sound from source: sonic transformation of the violin through electrodynamic pickups and acoustic actuation LS Pardue, K Buys, M Edinger, D Overholt, A McPherson NIME 2019 New Interfaces for Musical Expression conference, 278-283, 2019	16	2019
Shaping the behaviour of feedback instruments with complexity-controlled gain dynamics C Kiefer, D Overholt, A Eldridge 20th International Conference on New Interfaces for Musical Expression, 343-348, 2020	15	2020

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