| From Grain to Pixel. The Archival Life of Film in Transition G Fossati Amsterdam University Press, 2009 | 422* | 2009 |
| Found Footage: Cinema Exposed M Bloemheuvel, G Fossati, J Guldemond Amsterdam University Press, 2012 | 45* | 2012 |
| Exposing the Film Apparatus. The Film Archive as a Research Laboratory G Fossati, A Oever Amsterdam University Press, 2016 | 37* | 2016 |
| Fantasia of Color in Early Cinema T Gunning, J Yumibe, G Fossati, J Rosen Amsterdam University Press, 2015 | 34 | 2015 |
| Found Footage Filmmaking, Film Archiving and New Participatory Platforms G Fossati Found Footage: Cinema Exposed, 2012 | 29 | 2012 |
| Data-driven research for film history: exploring the Jean Desmet collection CG Olesen, E Masson, J Van Gorp, G Fossati, J Noordegraaf Moving Image: The Journal of the Association of Moving Image Archivists 16 …, 2016 | 27 | 2016 |
| When Cinema Was Coloured G Fossati Tutti i colori del mondo: Il colore nei mass media tra, 1900-1930, 1998 | 22 | 1998 |
| Coloured images today: how to live with simulated colours (and be happy) G Fossati Disorderly Order’: Colours in Silent Film, 83-89, 1996 | 20 | 1996 |
| Youtube as a mirror maze G Fossati The YouTube Reader, 458-64, 2009 | 19 | 2009 |
| Introduction: Activating the archive F Paalman, G Fossati, E Masson The Moving Image 21 (1), 1-25, 2021 | 15 | 2021 |
| For a global approach to audiovisual heritage: A plea for North/South exchange in research and practice G Fossati NECSUS_European Journal of Media Studies 10 (2), 127-133, 2021 | 14 | 2021 |
| Del grano al píxel: Cine y archivios en transición G Fossati Buenos AiresImago Mundi, 2019 | 14 | 2019 |
| The Colour Fantastic: Chromatic Worlds of Silent Cinema G Fossati, V Jackson, B Lameris, E Rongen-Kaynakçi, S Street, J Yumibe Amsterdam University Press, 2018 | 13 | 2018 |
| Beyond distribution: Some thoughts on the future of archival films G Fossati, N Verhoeff Networks of Entertainment. Early Film Distribution 1915, 331-339, 2007 | 13 | 2007 |
| Exploring Digitised Moving Image Collections: The SEMIA Project, Visual Analysis and the Turn to Abstraction. E Masson, CG Olesen, N van Noord, G Fossati DHQ: Digital Humanities Quarterly, 2020 | 12 | 2020 |
| A Material-Based Approach to the Digitization of Early Film Colours B Flueckiger, CO den Kamp, D Pfluger The Colour Fantastic. Chromatic Worlds of Silent Cinema, 235-257, 2018 | 11 | 2018 |
| Multiple Originals: The (Digital) Restoration and Exhibition of Early Films G Fossati A Companion to Early Cinema, 550-567, 2012 | 8 | 2012 |
| Notes on the 2004 Joint Technical Symposium: Preserving the AudioVisual Heritage-Transition and Access G Fossati Journal of Film Preservation, 25, 2004 | 8 | 2004 |
| Obsolescence and film restoration: the case of colored silent films G Fossati Technè. La science au service de l’histoire de l’art et de la préservation …, 2013 | 7 | 2013 |
| The restoration of Beyond the Rocks G Fossati WienSynema, 2013 | 6 | 2013 |
Eef MassonAssistant Professor, University of Amsterdam在 uva.nl 的电子邮件经过验证
