| Computer-assisted composition at IRCAM: From PatchWork to OpenMusic G Assayag, C Rueda, M Laurson, C Agon, O Delerue Computer music journal 23 (3), 59-72, 1999 | 404 | 1999 |
| Using factor oracles for machine improvisation G Assayag, S Dubnov Soft Computing 8 (9), 604-610, 2004 | 225 | 2004 |
| Using machine-learning methods for musical style modeling S Dubnov, G Assayag, O Lartillot, G Bejerano Computer 36 (10), 73-80, 2003 | 221 | 2003 |
| Omax brothers: a dynamic yopology of agents for improvization learning G Assayag, G Bloch, M Chemillier, A Cont, S Dubnov Proceedings of the 1st ACM workshop on Audio and music computing multimedia …, 2006 | 215 | 2006 |
| OpenMusic: visual programming environment for music composition, analysis and research J Bresson, C Agon, G Assayag Proceedings of the 19th ACM international conference on Multimedia, 743-746, 2011 | 142 | 2011 |
| Guessing the composer's mind: Applying universal prediction to musical style G Assayag, S Dubnov, O Delerue ICMC, 1999 | 104 | 1999 |
| Mathematics and music: A Diderot mathematical forum G Assayag, HG Feichtinger Springer Science & Business Media, 2002 | 95 | 2002 |
| Audio oracle: A new algorithm for fast learning of audio structures S Dubnov, G Assayag, A Cont Proceedings of International Computer Music Conference (ICMC), 2007 | 79 | 2007 |
| Computer assisted composition today G Assayag 1st symposium on music and computers, Corfu, 1998 | 77 | 1998 |
| Universal classification applied to musical sequences S Dubnov, G Assayag, R El-Yaniv ICMC: International Computer Music Conference, 1-1, 1998 | 75 | 1998 |
| The OM composer's Book 1 C Agon, G Assayag, J Bresson Editions Delatour France/Ircam-Centre Pompidou, 2006 | 74 | 2006 |
| Omax-ofon G Assayag, G Bloch, M Chemillier Sound and Music Computing (SMC) 2006, 1-1, 2006 | 59 | 2006 |
| Audio oracle analysis of musical information rate S Dubnov, G Assayag, A Cont 2011 ieee fifth international conference on semantic computing, 567-571, 2011 | 56 | 2011 |
| Automatic modeling of musical style O Lartillot Ann Arbor, MI: Michigan Publishing, University of Michigan Library, 2001 | 55 | 2001 |
| Anticipatory model of musical style imitation using collaborative and competitive reinforcement learning A Cont, S Dubnov, G Assayag Workshop on Anticipatory Behavior in Adaptive Learning Systems, 285-306, 2006 | 54 | 2006 |
| Navigating the oracle: A heuristic approach G Assayag, G Bloch International Computer Music Conference'07, 405-412, 2007 | 53 | 2007 |
| Improtek: introducing scenarios into human-computer music improvisation J Nika, M Chemillier, G Assayag Computers in Entertainment (CIE) 14 (2), 1-27, 2017 | 51 | 2017 |
| An object oriented visual environment for musical composition G Assayag, C Agon, J Fineberg, P Hanappe ICMC: International Computer Music Conference, 364-367, 1997 | 51 | 1997 |
| On the information geometry of audio streams with applications to similarity computing A Cont, S Dubnov, G Assayag IEEE Transactions on Audio, Speech, and Language Processing 19 (4), 837-846, 2010 | 50 | 2010 |
| High level musical control of sound synthesis in OpenMusic C Agon, M Stroppa, G Assayag ICMC, 2000 | 48 | 2000 |
