| The effects of physical vibration on heart rate variability as a measure of drowsiness N Zhang, M Fard, MHU Bhuiyan, D Verhagen, MF Azari, SR Robinson Ergonomics 61 (9), 1259-1272, 2018 | 52 | 2018 |
| Seeing, sensing sound: Eye tracking soundscapes in saving private ryan and monsters, Inc A Rassell, S Redmond, J Robinson, J Stadler, D Verhagen, S Pink Making sense of cinema, 139-64, 2015 | 19 | 2015 |
| Alarm tones, music and their elements: Analysis of reported waking sounds to counteract sleep inertia SJ McFarlane, JE Garcia, DS Verhagen, AG Dyer PLoS One 15 (1), e0215788, 2020 | 15 | 2020 |
| Auditory countermeasures for sleep inertia: exploring the effect of melody and rhythm in an ecological context SJ McFarlane, JE Garcia, DS Verhagen, AG Dyer Clocks & sleep 2 (2), 208-224, 2020 | 7 | 2020 |
| Alarm tones, voice warnings, and musical treatments: a systematic review of auditory countermeasures for sleep inertia in abrupt and casual awakenings SJ McFarlane, JE Garcia, DS Verhagen, AG Dyer Clocks & Sleep 2 (4), 416-433, 2020 | 5 | 2020 |
| Noise, music & perception: towards a functional understanding of noise composition D Verhagen RMIT University, 2015 | 4 | 2015 |
| Audiovision, psy-ops and the perfect crime: Zombie agents and sound design D Verhagen Scan (Sydney): journal of media arts culture 5 (2), 1-7, 2009 | 4 | 2009 |
| Science Fiction: What’s Wrong? The Sounds of Danger Versus Hearing Dangerously D Verhagen Endangering Science Fiction Film, 188-212, 2016 | 3 | 2016 |
| Composing in spacetime with rainbows: spatial metacomposition in the real world R Jarvis, D Verhagen Proceedings of the 15th International Audio Mostly Conference, 175-182, 2020 | 2 | 2020 |
| Exploring internet CO2 emissions as an auditory display S McFarlane, F Feltham, D Verhagen Proceedings of the 25th Australian Computer-Human Interaction Conference …, 2013 | 2 | 2013 |
| Meatspace I Haig, D Verhagen Meatspace, 2019 | 1 | 2019 |
| delete/re_sound D Verhagen sublime, internal, subliminal, 2017 | 1 | 2017 |
| Ophelia doesn't live here any more D Verhagen, D Schlusser Ophelia doesn't live here any more, 2011 | 1 | 2011 |
| Embodied audiovisual experience: The role of sound in contemporary screen and digital media D Verhagen, B Byrne Materializing Digital Futures: Touch, Movement, Sound and Vision, 45, 2022 | | 2022 |
| MESS Through the Roof D Verhagen, S Wilson, B Byrne Melbourne Music Week, 2022 | | 2022 |
| Standing Strong D Verhagen, B Keene Ray Dimakarri Dixon-Standing Strong (album), 2022 | | 2022 |
| The Human Voice D Verhagen The Human Voice, 2022 | | 2022 |
| Auditory Countermeasures for Sleep Inertia: An Ecological Study Examining the Influence of Melody and Rhythm SJ McFarlane, JE Garcia, DS Verhagen, AG Dyer bioRxiv, 2020.03. 03.974667, 2020 | | 2020 |
| Winter Orbit D Verhagen, S Wilson Winter orbit, 2020 | | 2020 |
| Shinjuku Thief Collection Remix (portfolio of 4 works for the ACMI playlist) D Verhagen, Z Li, A Hunt ACMI channel (online), 2020 | | 2020 |
Stuart J. McFarlaneRMIT University在 rmit.edu.au 的电子邮件经过验证
