| The Musicology of Record Production S Zagorski-Thomas Cambridge University Press, 2008 | 408* | 2008 |
| The Art of Record Production S Frith, S Zagorski-Thomas An Introductory Reader for a New Academic Field, 2012 | 230 | 2012 |
| The stadium in your bedroom: functional staging, authenticity and the audience-led aesthetic in record production S Zagorski-Thomas Popular Music 29 (2), 251-266, 2010 | 91 | 2010 |
| The study of groove S Zagorski-Thomas Ethnomusicology forum 16 (2), 327-335, 2007 | 50 | 2007 |
| Real and unreal performances: the interaction of recording technology and rock drum kit performance S Zagorski-Thomas Musical rhythm in the age of digital reproduction, 195-212, 2016 | 40 | 2016 |
| The US vs the UK Sound: Meaning in Music Production in the 1970s S Zagorski-Thomas The Art of Record Production, 79-97, 2012 | 30 | 2012 |
| Musical meaning and the musicology of record production S Zagorski-Thomas Black Box Pop. Analysen Populärer Musik. Bielefeld: Transcript, 135-147, 2012 | 23 | 2012 |
| Art of Record Production K Isakoff, S Stévance, S Lacasse Routledge, 2020 | 21 | 2020 |
| The spectromorphology of recorded popular music: the shaping of sonic cartoons through record production S Zagorski-Thomas Oxford University Press, 2018 | 17 | 2018 |
| The medium in the message: phonographic staging techniques that utilize the sonic characteristics of reproduction media S Zagorski-Thomas Journal on the Art of Record Production 4, 2009 | 16 | 2009 |
| Sonic cartoons S Zagorski-Thomas | 15 | 2016 |
| Timbre as text: The cognitive roots of intertextuality S Zagorski-Thomas University of Michigan Press, 2018 | 14 | 2018 |
| How is theoretical research meeting the challenges of pedagogy in the field of record production? S Zagorski-Thomas Music, Technology, and Education, 67-82, 2016 | 13 | 2016 |
| The bloomsbury handbook of music production A Bourbon, S Zagorski-Thomas Bloomsbury Publishing, 2020 | 12 | 2020 |
| An Analysis of Space, Gesture and Interaction in Kings of Leon's ‘Sex On Fire' S Zagorski-Thomas Song Interpretation in 21st-Century Pop Music, 115-132, 2016 | 11 | 2016 |
| Directions in Music by Miles Davis S Zagorski-Thomas Technology and Culture 59 (4), 850-874, 2018 | 9 | 2018 |
| The ecological approach to mixing audio: Agency, activity and environment in the process of audio staging A Bourbon, S Zagorski-Thomas Journal on the Art of Record Production 11, 2017 | 9 | 2017 |
| The Influence of Recording Technology and Practice on Popular Music Performance in the Recording Studio in Poland between 1960-1989 S Zagorski-Thomas Polish Sociological Review 196 (4), 531-548, 2016 | 9 | 2016 |
| Shouting quietly: Changing musical meaning by changing timbre with recording technology S Zagorski-Thomas Proceedings of the Conference on Interdisciplinary Musicology (CIM05), Montréal, 2005 | 9 | 2005 |
| Practical musicology S Zagorski-Thomas Bloomsbury Publishing, 2022 | 7 | 2022 |
