| Composing Interactive Dance Pieces for the MotionComposer, a device for Persons with Disabilities A Bergsland, R Wechsler New Interfaces of Musical Expression, 2015 | 38 | 2015 |
| Turning movement into music: Issues and applications of the MotionComposer, a therapeutic device for persons with different abilities A Bergsland, R Wechsler SoundEffects-An Interdisciplinary Journal of Sound and Sound Experience 6 (1 …, 2016 | 36 | 2016 |
| Movement-music relationships and sound design in motioncomposer, an interactive environment for persons with (and without) disabilities A Bergsland, R Wechsler Proceedings of Re-New Conference of Digital Arts, 2013 | 17 | 2013 |
| Experiencing voices in electroacoustic music A Bergsland Norges teknisk-naturvitenskapelige universitet. Institutt for musikk, 2010 | 16 | 2010 |
| The notion of presence in a telematic cross-disciplinary program for music, communication and technology R Støckert, A Bergsland, A Xambo Sedo Music technology in education–Channeling and challenging perspectives, 2020 | 14 | 2020 |
| Student active learning in a two campus organisation R Støckert, A Bergsland, S Fasciani, AR Jensenius The International Scientific Conference eLearning and Software for Education …, 2020 | 10 | 2020 |
| The Maximal–Minimal Model: A framework for evaluating and comparing experience of voice in electroacoustic music A Bergsland Organised Sound 18 (2), 218-228, 2013 | 7 | 2013 |
| Interaction design and use cases for MotionComposer, a device turning movement into music A Bergsland, R Wechsler SoundEffects-An Interdisciplinary Journal of Sound and Sound Experience …, 2016 | 6 | 2016 |
| VIBRA-technical and artistic issues in an interactive dance project A Bergsland, S Saue, P Stokke Society for Sound and Music Computing, 2019 | 5 | 2019 |
| Issues and Strategies of Rhythmicality for MotionComposer A Bergsland, R Wechsler Proceedings of the 4th International Conference on Movement Computing, 1-4, 2017 | 5 | 2017 |
| MotionComposer–a device for persons with (and without) disabilities. Any gesture can be musical. Affording difference in musical interaction design R Wechsler, A Bergsland Porto International Conference on Musical Gesture as Creative Interface, Porto, 2016 | 5 | 2016 |
| Current efforts, perspectives and challenges related to Digital Humanities in Nordic countries K Golub, M Milrad, M Ping Huang, T Mikko, I Matres, A Bergsland International Symposium on Digital Humanities (DH 2016), Växjö, Sweden …, 2017 | 4 | 2017 |
| Affording Difference: Different Bodies/Different Cultures/Different Expressions/Different Abilities R Wechsler, A Bergsland, D Lavau, AP Palacio, M Baalman, J Del Val Proceedings: International MetaBody Forum (IMF), 2016 | 4 | 2016 |
| Aspects of digital affordances: Openness, skill and exploration A Bergsland International MetaBody Forum (IMF), Weimar, 2015 | 4 | 2015 |
| Using a seeing/blindfolded paradigm to study audience experiences of live-electronic performances with voice. A Bergsland, T Åse NIME, 2012 | 4 | 2012 |
| The six Fantasies Machine–an instrument modelling phrases from Paul Lansky’s Six Fantasies A Bergsland Proceedings of the International Conference on New Interfaces for Musical …, 2011 | 4 | 2011 |
| Designing interactive sonifications for the exploration of dance phrase edges A Bergsland Proceedings of the 19th Sound and Music Computing Conference, 2022 | 3 | 2022 |
| Examining the Correlation Between Dance and Electroacoustic Music Phrases: A Pilot Study A Bergsland, SR Sabharwal Proceedings of the 18th International Audio Mostly Conference, 34-37, 2023 | 1 | 2023 |
| Der MotionComposer: ein Gerät, das Bewegung in Musik umwandelt R Wechsler, A Bergsland, S Geiger, A Peñalba, KB für Unterstützte, ... internistische praxis 67, 327-336, 2023 | 1 | 2023 |
| Dance phrase onsets and endings in an interactive dance study A Bergsland Proceedings of the 17th International Audio Mostly Conference, 199-202, 2022 | 1 | 2022 |
