| Classical form: A theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven WE Caplin Oxford University Press, 1998 | 1782 | 1998 |
| The classical cadence: Conceptions and misconceptions WE Caplin Journal of American Musicological Society 57 (1), 51-118, 2004 | 287 | 2004 |
| Analyzing classical form: an approach for the classroom WE Caplin Oxford University Press, USA, 2013 | 249 | 2013 |
| Musical Form, Forms & Formenlehre: Three Methodological Reflections P Bergé Leuven University Press, 2010 | 164 | 2010 |
| What are formal functions? WE Caplin Musical Form, Forms, and Formenlehre: Three Methodological Reflections, 21-40, 2009 | 157 | 2009 |
| ON THE RELATION OF MUSICAL TOPOI TO FORMAL FUNCTION WE Caplin Eighteenth-Century Music 2 (1), 113-124, 2005 | 129 | 2005 |
| Theories of musical rhythm in the eighteenth and nineteenth centuries WE Caplin The Cambridge history of Western music theory 1, 657-694, 2002 | 100 | 2002 |
| The “expanded cadential progression”: A category for the analysis of classical form WE Caplin Journal of Musicological Research 7 (2-3), 215-257, 1987 | 82 | 1987 |
| Perceiving the classical cadence D Sears, WE Caplin, S McAdams Music Perception: An Interdisciplinary Journal 31 (5), 397-417, 2012 | 67 | 2012 |
| TOPICS AND FORMAL FUNCTIONS The Case ofthe Lament WE Caplin The Oxford handbook of topic theory, 415, 2014 | 60 | 2014 |
| Beyond the Classical Cadence: Thematic Closure in Early Romantic Music WE Caplin Music Theory Spectrum 40 (1), 1-26, 2018 | 54 | 2018 |
| Simulating melodic and harmonic expectations for tonal cadences using probabilistic models DRW Sears, MT Pearce, WE Caplin, S McAdams Journal of New Music Research 47 (1), 29-52, 2018 | 53 | 2018 |
| Tonal function and metrical accent: A historical perspective W Caplin Music Theory Spectrum 5, 1-14, 1983 | 51 | 1983 |
| The ‘Continuous Exposition’and the Concept of Subordinate Theme WE Caplin, NJ Martin Music Analysis 35 (1), 4-43, 2016 | 44 | 2016 |
| Beethoven’s Tempest Exposition: A Springboard for Form-Functional Considerations WE Caplin na, 2009 | 35 | 2009 |
| Harmony and Cadence in Gjerdingen’s ‘Prinner.’ WE Caplin What Is a Cadence? Theoretical and Analytical Perspectives on Cadences in …, 2015 | 33 | 2015 |
| Perception of intrinsic formal functionality: An empirical investigation of Mozart’s materials M Vallières, D Tan, WE Caplin | 33 | 2009 |
| Harmony and meter in the theories of Simon Sechter WE Caplin Music Theory Spectrum 2, 74-89, 1980 | 31 | 1980 |
| Expectations for tonal cadences: Sensory and cognitive priming effects DRW Sears, MT Pearce, J Spitzer, WE Caplin, S McAdams Quarterly Journal of Experimental Psychology 72 (6), 1422-1438, 2019 | 27 | 2019 |
| The string quartets of Beethoven H Krebs, M Miller, L Lockwood, N Marston, SC Ong, RS Hatten, ... University of Illinois Press, 2010 | 24 | 2010 |
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