| From Tikhie to Gromkie: The Discursive Strategies of the Putin-Era Auteurs J Wilmes Russian Literature 96, 297-327, 2018 | 8 | 2018 |
| Re-framing Women and Technology in Global Digital Spaces: An Introduction SM Ratilainen, M Wijermars, J Wilmes Digital Icons: Studies in Russian, Eurasian and Central European New Media, 1-10, 2018 | 7 | 2018 |
| National identity (de)construction in recent independent cinema: Kirill Serebrennikov’s Yuri’s Day and Sergei Loznitsa’s My Joy D Wilmes Studies in Russian and Soviet Cinema 8 (3), 218-232, 2014 | 6 | 2014 |
| ‘Stability amidst chaos’: subjective re-orientation in Ivan Vyrypaev’s Delhi Dance (2013) and Unbearably Long Embraces (2015) J Wilmes Studies in Russian and Soviet Cinema 12 (3), 232-250, 2018 | 4 | 2018 |
| Neo-Romanticism and authorial myth in the works of Valeria Gai Germanika A Artyukh, J Wilmes Studies in Russian and Soviet Cinema 14 (2), 170-189, 2020 | 3 | 2020 |
| 2. EMPIRE RELOADED: SACRED POWER IN A POSTMODERN ERA J Wilmes N, 2020 | 3 | 2020 |
| Projecting Social Concerns: Russian Auteur Cinema in the Putin Era JA Wilmes The Ohio State University, 2015 | 2 | 2015 |
| Dramatizing Dualism: The Use of the Literary Double in Bolesław Prus’s The Doll J Wilmes The Polish Review 62 (4), 3-20, 2017 | 1 | 2017 |
| Anticipating Chekhov: Tragicomic Elements in Griboedov's" Woe from Wit" J Wilmes Pushkin Review/Пушкинский вестник 15, 125-142, 2012 | 1 | 2012 |
| Scarecrow. Dir. Dmitrii Davydov. Russia: Bonfire Production, 2020. 72 minutes. Color. J Wilmes Slavic Review 80 (4), 903-904, 2021 | | 2021 |
| The Filmmaker's Philosopher: Merab Mamardashvili and Russian Cinema. By Alyssa DeBlasio. Edinburgh: Edinburgh University Press, 2019. ix, 203 pp. Appendix. Bibliography. Index … J Wilmes Slavic Review 79 (4), 885-886, 2020 | | 2020 |
| My Joy J Wilmes The Contemporary Russian Cinema Reader, 157-175, 2019 | | 2019 |
| My Joy (Schaste moe) J Wilmes New Russian Cinema Reader, Volume 3 (2005-2015), 2018 | | 2018 |
| Women and Tech in the Post-socialist Context: Intelligence, Creativity, Transgression SM Ratilainen, M Wijermars, J Wilmes Studies in Russian, Eurasian and Central European New Media (Digital Icons), 2018 | | 2018 |
| The Week of German Cinema M Miłkowski, J Wilmes New England Review (1990-) 37 (4), 143-147, 2016 | | 2016 |
| IN BETWEEN AND BEYOND: HYBRID GENRE AND MULTICULTURAL PERSPECTIVE IN SERGEI DVORTSEVOI'S TULPAN. J WILMES Australian Slavonic & East European Studies 26, 2012 | | 2012 |
| Postmodernity, Freedom, and Authenticity in Kirill Serebrennikov’s Leto (2018) J Wilmes | | |
| Part One. Borders of Imperial Desire N Condee, O Kim, J Wilmes, E Sattarova, A Prokhorov, E Prokhorova, ... | | |
| JUSTIN WILMES S DVORTSEVOI Australian Slavonic and East European Studies, 77, 0 | | |
