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Shima Shahbazi
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The Islamophobia index: Exploring the challenges in establishing reliability for a content analysis instrument evaluating Islamophobia in media texts
L Anderson, S Shahbazi, M Abid
Islamophobia Studies Journal 6 (2), 182-206, 2021
142021
David Mamet's Oleanna: A Bourdieusian Reading.
H Pirnajmuddin, S Shahbazi
Journal of International Social Research 4 (18), 2011
52011
Microhistory narratives, alternative epistemologies and epistemic credibility: A comparative study of Haifa Zangana's city of widows and Leilah Nadir's orange trees of Baghdad
S Shahbazi
Life Writing 16 (4), 567-582, 2019
32019
Philosophy in John Gardner’s Grendel
H Pirnajmuddin, S Shahbazi
Journal of Research in Applied Linguistics 1 (1), 115-127, 2010
22010
To Be or Not to Be [Grateful]: Epistemologies of Belonging to a “Host-Home”
S Shahbazi
Interventions 25 (4), 431-447, 2023
12023
Decolonial Feminist Epistemologies of Border crossing: A Comparative Study of Transnational Iranian and Iraqi Women’s Life Writing
S Shahbazi
12018
Doomed Mythic Artist: Sam Shepard's Angel City.
S Shahbazi, H Pirnajmuddin
Journal of Language Teaching & Research 4 (1), 2013
12013
Postmodern Historiography in Suicide in B-Flat: Sam Shepard's Myth of the Artist
S Shahbazi, H Pirnajmuddin
Studies in Literature and Language 2 (2), 169, 2011
12011
Resistant Assimilation and Hometactics as Decolonial Practices: The Stories of Leilah and Ibrahim in The Orange Trees of Baghdad
S Shahbazi
The Migrant in Arab Literature, 83-102, 2022
2022
“Rocking” or “Slouching”? Sam Shepard's COWBOY MOUTH and WB Yeats's THE SECOND COMING
H Pirnajmuddin, S Shahbazi
The Explicator 71 (3), 153-156, 2013
2013
The Islamophobic index: constructing and validating an index for the evaluation of anti-Muslim discourses
L Anderson, S Shahbazi, M Abid
Australian Association of Islamic and Muslim Studies (AAIMS) Bi-Annual …, 0
Geography of a Lost Artist: Myth of the Artist in Sam Shepard's Geography of a Horse Dreamer
S Shahbazi, H Pirnajmuddin, HO Nia
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