| Under the cover: The creation, production, and reception of a novel C Childress Princeton University Press, 2017 | 243 | 2017 |
| Cultural reception and production: The social construction of meaning in book clubs CC Childress, NE Friedkin American Sociological Review 77 (1), 45-68, 2012 | 143 | 2012 |
| Genre complexes in popular music D Silver, M Lee, CC Childress PloS one 11 (5), e0155471, 2016 | 72 | 2016 |
| Decision-making, market logic and the rating mindset: Negotiating BookScan in the field of US trade publishing CC Childress European Journal of Cultural Studies 15 (5), 604-620, 2012 | 65 | 2012 |
| Publishers, authors, and texts: The process of cultural consecration in prize evaluation C Childress, CM Rawlings, B Moeran Poetics 60, 48-61, 2017 | 62 | 2017 |
| Emergent meanings: reconciling dispositional and situational accounts of meaning-making from cultural objects CM Rawlings, C Childress American Journal of Sociology 124 (6), 1763-1809, 2019 | 48 | 2019 |
| Encultured biases: The role of products in pathways to inequality C Childress, JF Nault American Sociological Review 84 (1), 115-141, 2019 | 47 | 2019 |
| The economic world obverse: Freedom through markets after arts education A Gerber, C Childress American Behavioral Scientist 61 (12), 1532-1554, 2017 | 38 | 2017 |
| Genres, Objects, and the Contemporary Expression of Higher-Status Tastes. C Childress, S Baumann, CM Rawlings, JF Nault Sociological Science 8, 2021 | 29 | 2021 |
| The MFA in creative writing: The uses of a “useless” credential C Childress, A Gerber Professions and Professionalism 5 (2), 2015 | 28 | 2015 |
| Regionalism and the publishing class: Conflicted isomorphism and negotiated identity in a nested field of American publishing CC Childress Cultural Sociology 9 (3), 364-381, 2015 | 27 | 2015 |
| The social positions of taste between and within music genres: From omnivore to snob JF Nault, S Baumann, C Childress, CM Rawlings European Journal of Cultural Studies 24 (3), 717-740, 2021 | 23 | 2021 |
| I don’t make objects, I make projects: Selling things and selling selves in contemporary artmaking A Gerber, C Childress Cultural Sociology 11 (2), 234-254, 2017 | 21 | 2017 |
| All Media Are Social CC Childress Contexts 11 (1), 55-57, 2012 | 18 | 2012 |
| Evolutions in the literary field: The co-constitutive forces of institutions, cognitions, and networks CC Childress Historical Social Research/Historische Sozialforschung, 115-135, 2011 | 18 | 2011 |
| Balancing categorical conventionality in music D Silver, C Childress, M Lee, A Slez, F Dias American Journal of Sociology 128 (1), 224-286, 2022 | 12 | 2022 |
| Schemas, Interactions, and Objects in Meaning‐Making1 CM Rawlings, C Childress Sociological Forum 36, 1446-1477, 2021 | 11 | 2021 |
| The Production of Culture Perspective in Historical Research: Integrating the Production, Meaning and Reception of Symbolic Objects K Nathaus, CC Childress Zeithistorische Forschungen/Studies in Contemporary History 10 (1), 1-16, 2013 | 10 | 2013 |
| Measure Mohr culture CM Rawlings, C Childress Poetics 88, 101611, 2021 | 7 | 2021 |
| Beyond triangulation: Reconstructing Mandela’s writing life through propulsive facilitation at the archive C Childress, A Calonga, E Schneiderhan Qualitative Sociology 43, 367-384, 2020 | 4 | 2020 |
Craig M. RawlingsDuke University在 duke.edu 的电子邮件经过验证
