The frenzy of renown: Fame and its history L Braudy Oxford Universty Press, 1997 | 1892 | 1997 |
Film theory and criticism: Introductory readings L Braudy, M Cohen Oxford University Press, 2004 | 1608 | 2004 |
The world in a frame: What we see in films L Braudy University of Chicago Press, 2002 | 530 | 2002 |
From chivalry to terrorism: War and the changing nature of masculinity L Braudy Vintage, 2010 | 501 | 2010 |
Narrative form in history and fiction: Hume, Fielding & Gibbon L Braudy | 301 | 1970 |
Play it again, Sam: Retakes on remakes L Braudy Univ of California Press, 1998 | 230 | 1998 |
Afterword: rethinking remakes L Braudy Play it again, Sam: retakes on remakes, 327-34, 1998 | 110 | 1998 |
Jean Renoir: the world of his films L Braudy Doubleday, 1972 | 107 | 1972 |
Genre: The conventions of connection L Braudy Film theory and criticism 6, 663-679, 1999 | 101 | 1999 |
Fanny Hill and materialism L Braudy Eighteenth-Century Studies 4 (1), 21-40, 1970 | 86 | 1970 |
The Form of the Sentimental Novel L Braudy Novel: A Forum on Fiction 7 (1), 5-13, 1973 | 85 | 1973 |
The Hollywood Sign L Braudy Yale University Press, 2011 | 65 | 2011 |
Film theory and criticism JL Baudry, L Braudy, M Cohen Introductory Readings, 2004 | 64 | 2004 |
Penetration and Impenetrability in Clarissa L Braudy New Approaches to Eighteenth-Century Literature, 177-206, 1974 | 54 | 1974 |
Haunted: On ghosts, witches, vampires, zombies, and other monsters of the natural and supernatural worlds L Braudy Yale University Press, 2016 | 51 | 2016 |
The genre of nature L Braudy Refiguring American film genres, 278-306, 1998 | 51 | 1998 |
Knowing the performer from the performance: fame, celebrity, and literary studies L Braudy PMLA 126 (4), 1070-1075, 2011 | 44 | 2011 |
The Sacraments of Genre: Coppola, DePalma, Scorsese L Braudy Film Quarterly, 17-28, 1986 | 43 | 1986 |
Daniel Defoe and the anxieties of autobiography L Braudy Genre 6 (1), 76-95, 1973 | 43 | 1973 |
Providence, Paranoia, and the Novel L Braudy ELH 48 (3), 619-637, 1981 | 42 | 1981 |