Who enjoys listening to violent music and why? WF Thompson, AM Geeves, KN Olsen Psychology of Popular Media 8 (3), 218-232, 2019 | 99* | 2019 |
Loudness change in response to dynamic acoustic intensity KN Olsen, CJ Stevens, J Tardieu Journal of Experimental Psychology: Human Perception and Performance 36 (6 …, 2010 | 44 | 2010 |
Psychophysiological response to acoustic intensity change in a musical chord KN Olsen, CJ Stevens Journal of Psychophysiology 27 (1), 16-26, 2013 | 34 | 2013 |
Listener expertise enhances intelligibility of vocalisations in Death Metal music KN Olsen, WF Thompson, I Giblin Music Perception 35 (5), 527-539, 2018 | 30 | 2018 |
Perceptual overestimation of rising intensity: Is stimulus continuity necessary? KN Olsen, CJ Stevens Perception 39 (5), 695, 2010 | 29 | 2010 |
Fans of violent music: The role of passion in positive and negative emotional experience KN Olsen, M Powell, A Anic, RJ Vallerand, WF Thompson Musicae Scientiae 26 (2), 364-387, 2022 | 27 | 2022 |
A ‘looming bias’ in spatial hearing? Effects of acoustic intensity and spectrum on categorical sound source localisation L McCarthy, KN Olsen Attention, Perception, & Psychophysics 79 (1), 352–362, 2017 | 27 | 2017 |
Resilient memory for melodies: The number of intervening melodies does not influence novel melody recognition SA Herff, KN Olsen, RT Dean The Quarterly Journal of Experimental Psychology 71 (5), 1150–1171, 2018 | 26 | 2018 |
What constitutes a phrase in sound-based music? A mixed methods investigation of perception and acoustics KN Olsen, RT Dean, Y Leung PLoS ONE 11 (12), e0167643, 2016 | 26 | 2016 |
A continuous measure of musical engagement contributes to prediction of perceived arousal and valence KN Olsen, RT Dean, CJ Stevens Psychomusicology: Music, Mind, and Brain 24 (2), 147-156, 2014 | 26 | 2014 |
Training adult novices to use computers: Effects of different types of illustrations EJ Kehoe, TC Bednall, L Yin, KN Olsen, C Pitts, JD Henry, PE Bailey Computers in Human Behavior 25 (2), 275-283, 2009 | 23 | 2009 |
Memory for melodies in unfamiliar tuning systems: Investigating effects of recency and number of intervening items SA Herff, KN Olsen, RT Dean, JB Prince The Quarterly Journal of Experimental Psychology 71 (6), 1367-1381, 2018 | 22 | 2018 |
Psychosocial risks and benefits of exposure to heavy metal music with aggressive themes: Current theory and evidence KN Olsen, J Terry, WF Thompson Current Psychology 42, 21133–21150, 2023 | 19 | 2023 |
On the enjoyment of violence and aggression in music WF Thompson, KN Olsen Physics of Life Reviews 25, 128-130, 2018 | 18 | 2018 |
Interference in memory for pitch-only and rhythm-only sequences SA Herff, KN Olsen, J Prince, RT Dean Musicae Scientiae 22 (3), 344-361, 2018 | 16 | 2018 |
Both acoustic intensity and loudness contribute to time-series models of perceived affect in response to music KN Olsen, RT Dean, CJ Stevens, F Bailes Psychomusicology: Music, Mind, and Brain 25 (2), 124-137, 2015 | 16 | 2015 |
The effect of intensity on relative pitch WF Thompson, V Peter, KN Olsen, CJ Stevens The Quarterly Journal of Experimental Psychology 65 (10), 2054-2072, 2012 | 16 | 2012 |
Intensity dynamics and loudness change: A review of methods and perceptual processes KN Olsen Acoustics Australia 42 (3), 159-165, 2014 | 15 | 2014 |
Does perceived exertion influence perceived affect in response to music? Investigating the 'FEELA' hypothesis. KN Olsen, RT Dean Psychomusicology: Music, Mind, and Brain. 26 (3), 257-269, 2016 | 14 | 2016 |
An investigation of empathy in male and female fans of aggressive music A Slade, KN Olsen, WF Thompson Musicae Scientiae 25 (2), 189-211, 2021 | 13 | 2021 |