| Fantasy film post 9/11 F Pheasant-Kelly Springer, 2016 | 69 | 2016 |
| Abject spaces in American cinema F Pheasant-Kelly IB Tauris, 2013 | 27 | 2013 |
| Spaces of the Cinematic Home E Andrews, S Hockenhull, F Pheasant-Kelly Routledge., 2016 | 25 | 2016 |
| Towards a structure of feeling: abjection and allegories of disease in science fiction ‘mutation’films F Pheasant-Kelly Medical Humanities 42 (4), 238-245, 2016 | 20 | 2016 |
| Representing trauma: grief, amnesia and traumatic memory in Nolan’s new millennial films F Pheasant-Kelly The Cinema of Christopher Nolan: Imagining the Impossible, 99-119, 2015 | 13 | 2015 |
| Reframing Parody and Intertextuality in Scream: Formal and Theoretical Approaches to the ‘Postmodern’ Slasher F Pheasant-Kelly Style and Form in the Hollywood Slasher Film, 149-160, 2015 | 13 | 2015 |
| The City Since 9/11: Literature, Film, Television EB Grela, J Buchanan, M Devine, CF Florescu, T Gauthier, K Golimowska, ... Rowman & Littlefield, 2016 | 12 | 2016 |
| Institutions, identity and insanity: abject spaces in Shutter Island FE Pheasant-Kelly New Review of Film and Television Studies 10 (2), 212-229, 2012 | 11 | 2012 |
| Children in the Films of Steven Spielberg J Baker, J Balanzategui, N Brown, IE Castro, AM Gordon, J Kendrick, ... Lexington Books, 2016 | 9 | 2016 |
| The ecstasy of chaos: Mediations of 9/11, terrorism and traumatic memory in The Dark Knight F Pheasant-Kelly Journal of War & Culture Studies 4 (2), 235-249, 2011 | 9 | 2011 |
| Reflections of Science and Medicine in Two Frankenstein Adaptations: Frankenstein (Whale 1931) and Mary Shelley's Frankenstein (Branagh 1994) F Pheasant-Kelly Literature and Medicine 36 (2), 312-336, 2018 | 8 | 2018 |
| Reframing gender and visual pleasure: New signifying practices in contemporary cinema F Pheasant-Kelly Sensational Pleasures in Cinema, Literature and Visual Culture: The Phallic …, 2014 | 7 | 2014 |
| Strange Spaces: Cult Topographies in Twin Peaks F Pheasant-Kelly Fan Phenomena: Twin Peaks, 94-107, 2013 | 7 | 2013 |
| Bewitching, abject, uncanny: other spaces in the Harry Potter films F Pheasant-Kelly JK Rowling–Harry Potter, 48-73, 2012 | 7 | 2012 |
| Death and Derision in Cinematic Toilets F Pheasant-Kelly Ladies and Gents: Public Toilets and Gender 195, 2009 | 7 | 2009 |
| Secrets, Memory, and Imagination: Psychic Space and the Cinematic Attic F Pheasant-Kelly Spaces of the Cinematic Home, 194-208, 2015 | 6 | 2015 |
| Outlaws, Buddies, and Lovers: The Sexual Politics of Calamity Jane and Butch Cassidy and the Sundance Kid F Pheasant-Kelly Love in Western Film and Television: Lonely Hearts and Happy Trails, 141-160, 2013 | 6 | 2013 |
| Cinematic Cyborgs, Abject Bodies: post-human hybridity in T2 and Robocop. F Pheasant-Kelly Film International (16516826) 9 (5), 2011 | 6 | 2011 |
| Between Setting and Character: A Taxonomy of Sentient Spaces in Fantasy Film’ F Pheasant-Kelly Bloomsbury, 2015 | 5 | 2015 |
| The Sexual Signification of the Gun in Western Film [R] F PheaSant-Kelly A Fistful of Icons: Essays on Frontier Fixtures of the American Western, 2017 | 4 | 2017 |
Steve MacekProfessor, Communication and Media Studies, North Central College在 noctrl.edu 的电子邮件经过验证
Steve MacekProfessor, Communication and Media Studies, North Central College在 noctrl.edu 的电子邮件经过验证