| Interweaving myths in Shakespeare and his contemporaries J Valls-Russell, A Lafont, C Coffin Manchester University Press, 2017 | 10 | 2017 |
| Political uses of erotic power in an Elizabethan Mythological Programme: dangerous interactions with Diana in Hardwick Hall A Lafont Shakespeare’s Erotic Mythology and Ovidian Renaissance Culture, 41-58, 2016 | 8 | 2016 |
| Le corps nu de Diane ou les égarements du cœur et de l’esprit dans Doctor Faustus et Edward II A Boyer-Lafont Caliban 13 (1), 69-82, 2003 | 4 | 2003 |
| Actaeon A Lafont A Dictionary of Shakespeare's Classical Mythology, 2013 | 3 | 2013 |
| “I am truly more fond and foolish than ever Narcissus was”: Webster’s Duchess of Malfi and Ovidian resonances A Lafont The Duchess of Malfi: Webster's Tragedy of Blood, 60-77, 2018 | 2 | 2018 |
| Monstrous Hybrids in Shakespeare’s King Lear A Lafont Imago. Revista de Emblemática y cultura visual, 2016 | 2 | 2016 |
| Multi-layered conversations in Marlowe’s Dido, Queen of Carthage A Lafont Interweaving myths in Shakespeare and his contemporaries, 2017 | 1 | 2017 |
| Diane A Lafont Dictionnaire littéraire de la nuit 1, 335-345, 2013 | 1 | 2013 |
| Praesentia in absentia ou l’éloquent silence du corps de l’emblème mythologique dans Titus Andronicus A Boyer-Lafont Cahiers Charles V 43 (1), 167-184, 2007 | 1 | 2007 |
| Métamorphoses burlesques de la Fabula classique dans le théâtre anglais de la fin de la Renaissance A Boyer-Lafont XVII-XVIII. Revue de la Société d'études anglo-américaines des XVIIe et …, 2005 | 1 | 2005 |
| ‘Hyperion’s curls, the front of Jove himself’(3.4. 56): mythological portraits in Hamlet’s closet scene A Lafont Arrêt sur scène/Scene Focus. Théâtres européens de la Renaissance aux …, 2024 | | 2024 |
| Heather James. Ovid and the Liberty of Speech in Shakespeare's England. Cambridge: Cambridge University Press, 2021. Pp. 287. $99.99 (cloth). A Lafont Journal of British Studies 62 (3), 778-780, 2023 | | 2023 |
| 'Nil penna sed usus': Negotiating Female Authoriality in Esther Inglis's Solomon's Proverbs (Pforzeimer MS40). A Lafont Early Modern Literary Studies, 2022 | | 2022 |
| Book review: Lindsay Ann Reid, Shakespeare’s Ovid and the Specter of the Medieval, Studies in Renaissance Literature 36, Cambridge: DS Brewer, 2018 A Lafont Renaissance Quarterly 75 (1), 363-365, 2022 | | 2022 |
| Echo’s ‘repercussive voix’: Ovidian Echo Poems in early modern England A Lafont Language Commonality and Literary Communities in Early Modern England 1, 221-243, 2022 | | 2022 |
| Thésée au carrefour des influences mythologiques dans l’œuvre de Shakespeare A Lafont Cahiers du Théâtre Antique 4, 221-241, 2021 | | 2021 |
| Autour des mythes de Thésée et de Perséphone: tradition, transferts, transmissions (Antiquité-XVIIe siècle) A Lafont, MP Noël, P Pontier Presses universitaires de Franche-Comté, 2021 | | 2021 |
| Book review: Elizabethan Narrative Poems: The State of Play A Lafont Cahiers Élisabéthains 103 (1), 91-94, 2020 | | 2020 |
| Play review: As You Like It A Lafont Cahiers Élisabéthains 101 (1), 117-119, 2020 | | 2020 |
| Éclats et fragments de l’image mythologique de Myrrha dans The Mother of Adonis: Or, Lustes Prodigies (1607) de William Barksted A Lafont Rencontres, 77-104, 2019 | | 2019 |
