| The new music industries: Disruption and discovery D Hughes, M Evans, G Morrow, S Keith Palgrave Macmillan, 2016 | 96 | 2016 |
| 'What Constitutes Artist Success in the Australian Music Industries?' DC D Hughes, S. Keith, G. Morrow, M. Evans International Journal of Music Business Research 2 (2), 61-80, 2013 | 45* | 2013 |
| Contemporary vocal artistry in popular culture musics: Perceptions, observations and lived experiences D Hughes Teaching singing in the 21st century, 287-301, 2014 | 30 | 2014 |
| Developing vocal artistry in popular culture musics D Hughes Perspectives on teaching singing: Australian vocal pedagogues sing their …, 2010 | 30 | 2010 |
| ‘Art’to artistry: A contemporary approach to vocal pedagogy D Hughes The Routledge research companion to popular music education, 177-189, 2017 | 19 | 2017 |
| Embodied Kawaii: Girls’ voices in J‐pop S Keith, D Hughes Journal of Popular Music Studies 28 (4), 474-487, 2016 | 19 | 2016 |
| Technological Pitch Correction: Controversy, Contexts, and Considerations. D Hughes Journal of Singing 71 (5), 2015 | 18 | 2015 |
| Technologized and autonomized vocals in contemporary popular musics D Hughes Journal of Music, Technology & Education 8 (2), 163-182, 2015 | 17 | 2015 |
| Teaching singing in Sydney government schools D Hughes | 17 | 2007 |
| Assessment and feedback in curricula design for contemporary vocal studies D Hughes Assessment in music education: From policy to practice, 251-268, 2015 | 14 | 2015 |
| Offline and online: Liveness in the Australian music industries S Keith, D Hughes, D Crowdy, G Morrow, M Evans The State of the music industry, 221-241, 2014 | 14 | 2014 |
| An encultured identity: Individuality, expressivity and the singing-self D Hughes Australian Voice 15, 13-19, 2013 | 12 | 2013 |
| Mediocrity to artistry: Technology and the singing voice D Hughes Educating professional musicians in a global context, 64, 2012 | 12 | 2012 |
| Aspirations, considerations and processes: Songwriting in and for music education D Hughes, S Keith Journal of Popular Music Education 3 (1), 87-103, 2019 | 10 | 2019 |
| Toward defining “vocal constriction”: Practitioner perspectives B Lemon-McMahon, D Hughes Journal of Voice 32 (1), 70-78, 2018 | 8 | 2018 |
| My sound, our sound: Constructing the aesthetic in contemporary vocal production D Hughes Routes, Roots and Routines: Selected papers from the 2011 Australia/New …, 2012 | 8 | 2012 |
| Looping vocals and applied effects in contemporary vocal studies D Hughes, V Monro Australian Voice 16, 25-33, 2014 | 7 | 2014 |
| Approaches to singing:'Snapshots' of Australian contexts D Hughes, V Monro, A Power, B Lemon-McMahon, S Powell, N Cooper Australian Voice 16, 1-11, 2014 | 7 | 2014 |
| 'OK, great sound, what are you experiencing as you're singing that?’: Facilitating or impeding the flow of vocal artistry D Hughes Shifting Sounds: Musical Flow: A Collection of Papers from the 2012 IASPM …, 2013 | 7 | 2013 |
| Music education and the contemporary, multi-industry landscape D Hughes, S Keith, G Morrow, M Evans, D Crowdy Redefining the musical landscape: Inspired learning and innovation in music …, 2013 | 7 | 2013 |
Sarah KeithSenior Lecturer, Media and Music在 mq.edu.au 的电子邮件经过验证
