| Theme and variation encodings with Roman numerals (TAVERN): A new data set for symbolic music analysis J Devaney, C Arthur, N Condit-Schultz, K Nisula Proceedings of the 16th ISMIR Conference 729, 2015 | 63 | 2015 |
| Music Performance Analysis: A Survey A Lerch, C Arthur, A Pati, S Gururani Proceedings of the International Society for Music Infomation Retrieval …, 2019 | 49 | 2019 |
| An Interdisciplinary Review of Music Performance Analysis A Lerch, C Arthur, A Pati, S Gururani https://transactions.ismir.net/articles/10.5334/tismir.53/, 2020 | 41 | 2020 |
| A Perceptual Study of Scale-degree Qualia in Context C Arthur Music Perception: An Interdisciplinary Journal 35 (3), 295-314, 2018 | 31 | 2018 |
| Key-Finding Based on a Hidden Markov Model and Key Profiles N Nápoles López, C Arthur, I Fujinaga 6th International Conference on Digital Libraries for Musicology, 33-37, 2019 | 20 | 2019 |
| Non-chord Tone Identification Using Deep Neural Networks Y Ju, N Condit-Schultz, C Arthur, I Fujinaga Proceedings of the 4th International Workshop on Digital Libraries for …, 2017 | 18 | 2017 |
| Taking harmony into account: The effect of harmony on melodic probability C Arthur Music Perception 34 (4), 405-423, 2017 | 14 | 2017 |
| When the Leading Tone Doesn't Lead: Musical Qualia in Context C Arthur The Ohio State University, 2016 | 10 | 2016 |
| humdrumR: A New Take on an Old Approach to Computational Musicology N Condit-Schultz, C Arthur Proceedings of the International Society for Music Information Retrieval …, 2019 | 9 | 2019 |
| PatternFinder: Content-Based Music Retrieval with music21 D Garfinkle, C Arthur, P Schubert, J Cumming, I Fujinaga Proceedings of the 4th International Workshop on Digital Libraries for …, 2017 | 9 | 2017 |
| Why do Songs get “Stuck in our Heads”? Towards a Theory for Explaining Earworms C Arthur Music & Science 6, 2023 | 6 | 2023 |
| The direct-octaves rule: Testing a scene-analysis interpretation C Arthur, D Huron Musicae Scientiae 20 (4), 495-511, 2016 | 6 | 2016 |
| Supplementing Melody, Lyrics, and Acoustic Information to the McGill Billboard Database. HL Gauvin, N Condit-Schultz, C Arthur DH, 2017 | 5 | 2017 |
| Cooperation and other unifying processes in Elliott Carter's Esprit Rude/Esprit Doux trilogy C Arthur University of British Columbia, 2008 | 4 | 2008 |
| Testing the “Loose-Verse, Tight-Chorus” Model: A Corpus Study of Melodic-Harmonic Divorce C Arthur, N Condit-Schultz 44th Annual Meeting for the Society for Music Theory, 2021 | 3 | 2021 |
| Vicentino versus Palestrina: A computational investigation of voice leading across changing vocal densities C Arthur Journal of New Music Research, https://www.tandfonline.com/doi/ref/10.1080 …, 2021 | 3 | 2021 |
| The Role of Structural Tones in Establishing Mode in Renaissance Counterpoint C Arthur, J Cumming, P Schubert The Oxford Handbook of Corpus Studies, 2022 | 2 | 2022 |
| A Statistical Model for Melody Reduction T Hu, C Arthur arXiv preprint arXiv:2105.05385, 2021 | 2 | 2021 |
| A Comprehensive Investigation of Scale-Degree Qualia: A Theoretical, Cognitive, and Philosophical Approach C Arthur Society for Music Theory 29, 2015 | 2 | 2015 |
| Developing a structurally significant representation of musical audio through domain knowledge J Devaney, C Arthur International Society for Music Information Retrieval (ISMIR) Conference …, 2015 | 2 | 2015 |
Nathaniel Condit-SchultzOhio State University在 osu.edu 的电子邮件经过验证
