| Perceiving the classical cadence DRW Sears, WE Caplin, S McAdams Music Perception: An Interdisciplinary Journal 31 (5), 397-417, 2014 | 68 | 2014 |
| Simulating melodic and harmonic expectations for tonal cadences using probabilistic models DRW Sears, MT Pearce, WE Caplin, S McAdams Journal of New Music Research, 2017 | 54 | 2017 |
| Psychophysiological responses to auditory change L Chuen, DRW Sears, S McAdams Psychophysiology, 2016 | 44 | 2016 |
| Expectations for tonal cadences: Sensory and cognitive priming effects DRW Sears, MT Pearce, J Spitzer, WE Caplin, S McAdams Quarterly Journal of Experimental Psychology 72 (6), 1422-1438, 2019 | 28 | 2019 |
| Ensemble learning for detecting fake reviews L Gutierrez-Espinoza, F Abri, AS Namin, KS Jones, DRW Sears 2020 IEEE 44th Annual Computers, Software, and Applications Conference …, 2020 | 27 | 2020 |
| The perception of cadential closure DRW Sears What is a cadence? Theoretical and analytical perspectives on cadences in …, 2015 | 26 | 2015 |
| Modeling harmony with skip-grams DRW Sears, A Arzt, H Frostel, R Sonnleitner, G Widmer Proceedings of the 18th International Society for Music Information …, 2017 | 24 | 2017 |
| Psychophysiological measures of emotional response to Romantic orchestral music and their musical and acoustic correlates K Trochidis, DRW Sears, DL Trân, S McAdams From Sounds to Music and Emotions, 44-57, 2012 | 21 | 2012 |
| Linguistic features for detecting fake reviews F Abri, LF Gutiérrez, AS Namin, KS Jones, DRW Sears 2020 19th IEEE International Conference on Machine Learning and Applications …, 2020 | 20 | 2020 |
| A large-scale study of language models for chord prediction F Korzeniowski, DRW Sears, G Widmer Proceedings of the 2018 IEEE International Conference on Acoustics, Speech …, 2018 | 20 | 2018 |
| The classical cadence as a closing schema: Learning, memory, and perception DRW Sears McGill University, 2016 | 20 | 2016 |
| Fake reviews detection through analysis of linguistic features F Abri, LF Gutierrez, AS Namin, KS Jones, DRW Sears arXiv preprint arXiv:2010.04260, 2020 | 19 | 2020 |
| Psychophysiological indices of music-evoked emotions in musicians M Ogg, DRW Sears, M Marin, S McAdams Music Perception 34 (6), 2017 | 19 | 2017 |
| Fake reviews detection through ensemble learning L Gutierrez-Espinoza, F Abri, AS Namin, KS Jones, DRW Sears arXiv preprint arXiv:2006.07912, 2020 | 18 | 2020 |
| Triadic patterns across classical and popular music corpora: Stylistic conventions, or characteristic idioms? DRW Sears, D Forrest Journal of Mathematics and Music, 2021 | 16 | 2021 |
| Expecting the end: Continuous expectancy ratings for tonal cadences DRW Sears, J Spitzer, WE Caplin, S McAdams Psychology of Music 48 (3), 358-375, 2020 | 16 | 2020 |
| Beneath (or beyond) the surface: Discovering voice-leading patterns with skip-grams DRW Sears, G Widmer Journal of Mathematics and Music, 2020 | 15 | 2020 |
| A comparative analysis of modeling and predicting perceived and induced emotions in sonification F Abri, LF Gutiérrez, P Datta, DRW Sears, A Siami Namin, KS Jones Electronics 10 (20), 2519, 2021 | 9 | 2021 |
| Predicting emotions perceived from sounds F Abri, LF Gutiérrez, AS Namin, DRW Sears, KS Jones 2020 IEEE International Conference on Big Data (Big Data), 2057-2064, 2020 | 8 | 2020 |
| Automatic estimation of harmonic tension by distributed representation of chords A Nikrang, DRW Sears, G Widmer Proceedings of the 13th International Symposium on Computer Music …, 2017 | 8 | 2017 |
Stephen McAdamsMcGill University在 mcgill.ca 的电子邮件经过验证
