One of the main challenges of spatial audio rendering in headphones is the crucial work
behind the personalization of the so-called head-related transfer functions (HRTFs). HRTFs …

The human visual and auditory systems do not encode an entirely overlapped space when
static head and body position are maintained. While visual capture of sound source location …

Up to date, presence has been extensively studied for visual modality cues, as most of
today's media interfaces have a clear focus on rendering of visual information. However, as …

Concert hall design is at a crossroads between its origins of unamplified orchestral music
and singing, and the forces of popular music, which depend mostly on amplified sound and …

Despite many studies investigating auditory spatial impressions in rooms, few have
addressed the impact of simultaneous visual cues on localization and the perception of …

Despite many studies investigating auditory spatial impressions in rooms, few have
addressed the impact of simultaneous visual cues on localization and the perception of …

Immersive audio-visual perception relies on the spatial integration of both auditory and
visual information which are heterogeneous sensing modalities with different fields of …

The aim of this work is to present the methodology implemented for the assessment of the
human perception of sound and of the degree of acoustic comfort of occupants in an ancient …

Assisted by the technological advances of the past decades, stereoscopic 3D media are
currently making another attempt to be established as mainstream forms of entertainment …

In this paper we briefly describe an approach for understanding the psychoacoustic and
perceptual effects of what we have identified as the high-level spatial properties of 3D audio …